"Santa María" by Alfonso X El Sabio, Teresa Berganza was released on January 1, 2005. The duration of Santa María is about two minutes long, specifically at 2:07. This song does not appear to have any foul language. Santa María's duration is considered a little bit shorter than the average duration of a typical track. The song is number 30 out of 105 in Brava Berganza by Teresa Berganza. Going off of the ISRC code of this track, we detected that the origin of this track is from Germany. Based on our statistics, Santa María's popularity is unknown right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
The tempo marking of Santa María by Alfonso X El Sabio, Teresa Berganza is Allegro (fast, quick, and bright), since this song has a tempo of 127 BPM. With that information, we can conclude that the song has a fast tempo. This song can go great with walking. The time signature for this track is 5/4.
E Major is the music key of this track. This also means that this song has a camelot key of 12B. So, the perfect camelot match for 12B would be either 12B or 1A. While, 1B can give you a low energy boost. For moderate energy boost, you would use 9B and a high energy boost can either be 2B or 7B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 12A or 11B will give you a low energy drop, 3B would be a moderate one, and 10B or 5B would be a high energy drop. Lastly, 9A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Suite I: Pavane Passamaize I | Claude Gervaise, Christian Mendoze | F Major | 2 | 7B | 130 BPM | ||
A Virgen Que De Deus Madre | Alfonso X El Sabio, Grupo De Musica Antigua De Eduardo Paniagua | D Major | 2 | 10B | 160 BPM | ||
Dances From the English Dancing Master: Stingo 2 | John Playford, Folger Consort | A Minor | 1 | 8A | 172 BPM | ||
82 Diablos Como Cerdos | Eduardo Paniagua, Alfonso X El Sabio | D♭ Minor | 5 | 12A | 97 BPM | ||
Hymn to Dionysus No. 30 | Georgi Arnaoudov, The Orphic Ensemble, Theodora Pavlovich | C Minor | 2 | 5A | 124 BPM | ||
Colla iugo subdere - Bona condit cetera - Libera me, Domine (Motette) | Philippe de Vitry, Sequentia | C Major | 1 | 8B | 81 BPM | ||
A la guerra a la guerra | Bartolomeo Tromboncino, Shirley Rumsey | E♭ Minor | 0 | 2A | 138 BPM | ||
Basse danse la Magdalena | Pierre Attaingnant, Ulsamer Collegium, Josef Ulsamer | D Minor | 0 | 7A | 83 BPM | ||
Passacalle | Andrea Falconieri, Capella De La Torre, Katharina Bauml | D Minor | 1 | 7A | 108 BPM | ||
Danserye: Basse danse: No. 1. Dont vient cela – Reprise – Dont vient cela | László Czidra, Tylman Susato, Camerata Hungarica | D Minor | 1 | 7A | 101 BPM |
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