Arthur Sullivan, Christ Church Cathedral Choir, Oxford, Stephen Darlington's 'Onward Christian Soldiers' had a release date set for June 8, 2010. With this song being about 5 minutes long, at This song is fairly a long song compared to the average song length. This song does not have an "Explicit" tag, making it safe for all ages. The song is number 5 out of 18 in Favourite Hymns from Oxford - Amazing Grace by Christ Church Cathedral Choir, Oxford, Stephen Darlington. Going off of the ISRC code of this track, we detected that the origin of this track is from United Kingdom. In terms of popularity, Onward Christian Soldiers is currently unknown. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
The tempo marking of Onward Christian Soldiers by Arthur Sullivan, Christ Church Cathedral Choir, Oxford, Stephen Darlington is Moderato (at a moderate speed), since this song has a tempo of 110 BPM. With that information, we can conclude that the song has a moderate tempo. The time signature for this track is 4/4.
E♭ Major is the music key of this track. This also means that this song has a camelot key of 5B. So, the perfect camelot match for 5B would be either 5B or 6A. While, 6B can give you a low energy boost. For moderate energy boost, you would use 2B and a high energy boost can either be 7B or 12B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 5A or 4B will give you a low energy drop, 8B would be a moderate one, and 3B or 10B would be a high energy drop. Lastly, 2A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Handel: Messiah, HWV 56, Pt. 2, Scene 7: Chorus. "Hallelujah" | George Frideric Handel, Sir David Willcocks, Choir of King's College, Cambridge, Academy of St. Martin in the Fields | E♭ Major | 2 | 5B | 181 BPM | ||
First Vespers for the Nativity of the Blessed Virgin Mary: Psalm 117: Laudate Dominum omnes gentes; Antiphon 2: Beata progenies (mode II) | Anonymous, Choir of King's College, Cambridge, Stephen Cleobury | A Major | 1 | 11B | 80 BPM | ||
The Twelve Days Of Christmas | Anonymous, Choir of St. John's College, Cambridge, George Guest | F♯ Major | 2 | 2B | 121 BPM | ||
Praise my soul the king of heaven | John Goss, St. Paul's Cathedral Choir, Malcolm Archer | D Major | 2 | 10B | 83 BPM | ||
Gloria in D, R.589: 12. Cum Sancto Spiritu | Antonio Vivaldi, Christ Church Cathedral Choir, Oxford, Academy of Ancient Music, Simon Preston | D♭ Major | 2 | 3B | 96 BPM | ||
All creatures of our God and king (Lasst uns erfreuen) | 17th-century German, York Minster Choir, Philip Moore | E♭ Major | 3 | 5B | 125 BPM | ||
Helmsley "Lo! He Comes with Clouds Descending" | Thomas Olivers, Ely Cathedral Choir, Scott Farrell, Paul Trepte | G Major | 2 | 9B | 80 BPM | ||
Sussex Carol (On Christmas Night) | Choir of King's College, Cambridge, Sir David Willcocks | G Major | 2 | 9B | 113 BPM | ||
The Day Thou Gavest | The Choir of St. Mary's Episcopal Cathedral | A♭ Major | 0 | 4B | 77 BPM | ||
Magnificat In D Major, BWV 243: 10. Suscepit Israel | Johann Sebastian Bach, Nancy Argenta, Patrizia Kwella, Charles Brett, English Baroque Soloists, John Eliot Gardiner | B♭ Minor | 0 | 3A | 110 BPM |