"Helmsley "Lo! He Comes with Clouds Descending"" by Thomas Olivers, Ely Cathedral Choir, Scott Farrell, Paul Trepte was released on January 9, 2000. With this song being about 5 minutes long, at 4:48, "Helmsley "Lo! He Comes with Clouds Descending"" by Thomas Olivers, Ely Cathedral Choir, Scott Farrell, Paul Trepte is fairly a long song compared to the average song length. This song does not have an "Explicit" tag, making it safe for all ages. There are a total of 26 in the song's album "The Complete New English Hymnal, Vol. 3". In this album, this song's track order is #2. Helmsley "Lo! He Comes with Clouds Descending" is not that popular right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
With Helmsley "Lo! He Comes with Clouds Descending" by Thomas Olivers, Ely Cathedral Choir, Scott Farrell, Paul Trepte having a BPM of 80 with a half-time of 40 BPM and a double-time of 160 BPM, we would consider this track to have a Andante (at a walking pace) tempo marking. Because of this, we believe that the song has an overall slow tempo. The time signature for this track is 1/4.
This song has a musical key of G Major. Or for those who are familiar with the camelot wheel, this song has a camelot key of 9B. So, the perfect camelot match for 9B would be either 9B or 10A. While, 10B can give you a low energy boost. For moderate energy boost, you would use 6B and a high energy boost can either be 11B or 4B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 9A or 8B will give you a low energy drop, 12B would be a moderate one, and 7B or 2B would be a high energy drop. Lastly, 6A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Adeste Fideles (O come, all ye faithful) | Choir of King's College, Cambridge, David Briggs, Stephen Cleobury | G Major | 1 | 9B | 136 BPM | ||
O sacred head, sore wounded ('Passion Chorale': English Hymnal No. 102; O Haupt voll Blud und Wunden from the St Matthew Passion BWV244 Nos. 21 & 72) | Hans Leo Hassler, Choir of King's College, Cambridge, David Willcocks, Sir David Willcocks | D Major | 1 | 10B | 177 BPM | ||
O Come, Divine Messiah | Abbé Simon-Joseph Pellegrin, Randall DeBruyn, Mary of St. Philip | G Major | 2 | 9B | 140 BPM | ||
Psalm 95 "O Come Let Us Sing unto the Lord" | William Boyce, Wells Cathedral Choir, Christopher Brayne, Anthony Crossland | D Major | 1 | 10B | 68 BPM | ||
Praise to the Lord, The Almighty | arr. Richard R. Webster, Wells Cathedral Choir, Wells Cathedral School Brass Ensemble, Malcolm Archer & Rupert Gough | G Major | 1 | 9B | 91 BPM | ||
Cross of Jesus | John Stainer, St. Paul's Cathedral Choir, Malcolm Archer | F Major | 1 | 7B | 172 BPM | ||
O Come, O Come Emmanuel | Traditional, London Philharmonic Choir, John Alldis, National Philharmonic Orchestra | D Major | 0 | 10B | 84 BPM | ||
Shepherds And Angels Medley | The Majesty And Glory Performers | C Major | 2 | 8B | 83 BPM | ||
O Come, O Come Emmanuel | Ely Cathedral Choir | E Minor | 3 | 9A | 135 BPM | ||
Cross of Jesus "Come, Thou Long Expected Jesus" | John Stainer, Choir of St Mary's Cathedral, Edinburgh, Peter Backhouse, Dennis Townhill | G Major | 1 | 9B | 92 BPM |
Section: 0.45435214042663574
End: 0.45871520042419434