Silvius Leopold Weiss, Virginio Fadda's 'Lute Sonata in A Major (from Manoscritto di Dresda No. 17): IV. Sarabande: Grave' came out on February 1, 2015. With this song being around four minutes long, at 4:11, the duration of this song is pretty average compared to other songs. This track is safe for children and doesn't appear to contain any foul language, since the "Explicit" tag was not present in this track. The track order of this song in Virginio Fadda's "Lute & Baroque Guitar at the European Courts" album is number 12 out of 24. Based on our statistics, Lute Sonata in A Major (from Manoscritto di Dresda No. 17): IV. Sarabande: Grave's popularity is not that popular right now. Although the tone can be danceable to some, this track does projects more of a negative sound rather than a postive one.
We consider the tempo marking of Lute Sonata in A Major (from Manoscritto di Dresda No. 17): IV. Sarabande: Grave by Silvius Leopold Weiss, Virginio Fadda to be Allegro (fast, quick, and bright) because the track has a tempo of 137 BPM, a half-time of 68BPM, and a double-time of 274 BPM. Based on that, the speed of the song's tempo is fast. Activities such as, walking, can go well with this song. The time signature for this track is 4/4.
This song has a musical key of G Major. This also means that this song has a camelot key of 9B. So, the perfect camelot match for 9B would be either 9B or 10A. While, 10B can give you a low energy boost. For moderate energy boost, you would use 6B and a high energy boost can either be 11B or 4B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 9A or 8B will give you a low energy drop, 12B would be a moderate one, and 7B or 2B would be a high energy drop. Lastly, 6A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Suite in G Minor from Ms. Lobkowicz: VII. Canarie | Charles Mouton, Anders Ericson | F♯ Minor | 1 | 11A | 0 BPM | ||
3e Livre de Sonates à violon seul avec la basse continue, Sonata Quarta: I. Un poco andante | Jean-Baptiste Quentin, Anna Besson, Myriam Rignol, Jean Rondeau | A♭ Major | 2 | 4B | 99 BPM | ||
Concertina Etude in B-Flat Major (Transcr. D. Starobin) | Giulio Regondi, David Starobin | A Major | 1 | 11B | 76 BPM | ||
Tansman: Musique de cour d'après Robert de Visée: II. Menuet | Alexandre Tansman, Thibaut García, Ben Glassberg, Orchestre National Du Capitole De Toulouse | G Minor | 1 | 6A | 69 BPM | ||
Fantasy Upon One Note | Henry Purcell, John Holloway, Monika Baer, Renate Steinmann, Susanna Hefti, Martin Zeller | E Major | 1 | 12B | 133 BPM | ||
Tastar de corde | Joan Ambrosio Dalza, Shirley Rumsey | C Minor | 0 | 5A | 82 BPM | ||
Luz y norte musical: Pabanas | Lucas Ruiz de Ribayaz, Piffaro | D♭ Major | 0 | 3B | 99 BPM | ||
Suite in d minor - Allemande la Loureuse | Hanneke van Proosdij | C Major | 1 | 8B | 105 BPM | ||
Ludi musici I: 8. Galliard a 4, SSWV 46 | Samuel Scheidt, L'Achéron, François Joubert-Caillet | D♭ Major | 2 | 3B | 66 BPM | ||
Calata | Jupiter, Thomas Dunford | A Major | 3 | 11B | 96 BPM |
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