Manon, Act II: Chiudo gli occhi - Live in Milan, 1969 - Jules Massenet, Luciano Pavarotti, Orchestra Del Teatro Alla Scala, Milano, Peter Maag Information

Acousticness: 98%
Danceability: 45%
Energy: 17%
Instrumentalness: 34%
Liveness: 16%
Loudness: 79%
Speechiness: 5%
Valence: 17%
Popularity: 3%
Loudness: -12.477 dB

Summary

"Manon, Act II: Chiudo gli occhi - Live in Milan, 1969" by Jules Massenet, Luciano Pavarotti, Orchestra Del Teatro Alla Scala, Milano, Peter Maag was released on January 1, 2010. The duration of Manon, Act II: Chiudo gli occhi - Live in Milan, 1969 is about 3 minutes long, at 3:01. Based on our data, "Manon, Act II: Chiudo gli occhi - Live in Milan, 1969" appears to be safe for all ages and is not considered explicit. This track is about the average length of a typical track. The track order of this song in Luciano Pavarotti's "Luciano Pavarotti: The Ultimate Collection Live – Over 100 Tracks Live in Concert and at the Opera" album is number 15 out of 115. On top of that, United States appears to be the country where this track was created. Manon, Act II: Chiudo gli occhi - Live in Milan, 1969 is not that popular right now. Although the tone can be danceable to some, this track does projects more of a negative sound rather than a postive one.

Manon, Act II: Chiudo gli occhi - Live in Milan, 1969 BPM

We consider the tempo marking of Manon, Act II: Chiudo gli occhi - Live in Milan, 1969 by Jules Massenet, Luciano Pavarotti, Orchestra Del Teatro Alla Scala, Milano, Peter Maag to be Andante (at a walking pace) because the track has a tempo of 86 BPM, a half-time of 43BPM, and a double-time of 172 BPM. Based on that, the speed of the song's tempo is slow. Activities such as, yoga or pilates, can go well with this song. The time signature for this track is 4/4.

Manon, Act II: Chiudo gli occhi - Live in Milan, 1969 Key

This song is in the music key of A Major. This also means that this song has a camelot key of 11B. So, the perfect camelot match for 11B would be either 11B or 12A. While, 12B can give you a low energy boost. For moderate energy boost, you would use 8B and a high energy boost can either be 1B or 6B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 11A or 10B will give you a low energy drop, 2B would be a moderate one, and 9B or 4B would be a high energy drop. Lastly, 8A allows you to change the mood.

Recommendations

Track	Artist	Key	Energy	Camelot	BPM
Peer Gynt Suite No.2 op. 55 Solveig's Song (Andante-Allegretto tranquillamente)	Academy of St. Martin in the Fields	A Minor	0	8A	93 BPM
Serenade No. 2 in A Major, Op. 16: 2. Scherzo. Vivace	Johannes Brahms, Royal Concertgebouw Orchestra, Bernard Haitink	A Major	1	11B	179 BPM
Andante spianato et Grande polonaise brillante, Op. 22: Andante spianato. Tranquillo	Frédéric Chopin, Martha Argerich	G Major	0	9B	127 BPM
II. Adagio cantabile from Piano Sonata No. 8 in C minor, Op. 13 "Pathetique" - Instrumental	Ludwig van Beethoven, Murray Perahia	A♭ Major	0	4B	62 BPM
Thais, Act II: Meditation (arr. M.P. Marsick)	Martin Pierre Marsick, Jules Massenet, Takako Nishizaki, Jenő Jandó	D Major	1	10B	84 BPM
Nocturne No. 1 in E-Flat Major	John Field, Benjamin Frith	E♭ Major	0	5B	73 BPM
Carmen Suite No. 1: Intermezzo	Georges Bizet, Orchestre Symphonique de Montréal, Charles Dutoit	E♭ Major	0	5B	80 BPM
Méditation de Thaïs	Jules Massenet, Peter Mirring, Dresden State Opera Chorus, Members, Staatskapelle Dresden, Silvio Varviso	E Minor	0	9A	96 BPM
Massenet: Don Quichotte, Act 5: Mort de Don Quichotte. "Ô mon maître, ô mon grand !" (Sancho, Don Quichotte, Dulcinée)	Jules Massenet, Teresa Berganza, Alain Fondary, José van Dam, Michel Plasson, Orchestre National Du Capitole De Toulouse	G Minor	0	6A	78 BPM
Nocturne in E-Flat Major	Mikhail Glinka, Xavier De Maistre	E♭ Major	0	5B	81 BPM

ISRC: USSRL0701611
Label: L-M Records/RCA Records

Section: 0.6409721374511719

End: 0.6457605361938477