On April 2, 2013, the song "Jeder, der Sie kennt, Fraulein" was released by Peter Igelhoff, Kleines Ensemble. The duration of Jeder, der Sie kennt, Fraulein is about two minutes long, specifically at 2:36. This song does not appear to have any foul language. Jeder, der Sie kennt, Fraulein's duration is considered a little bit shorter than the average duration of a typical track. The track order of this song in Peter Igelhoff, Georg Haentzschel's "Immortal Voices of German Radio: Peter Igelhoff, Vol. 1 (Recordings 1936-1941)" album is number 15 out of 26. On top of that, Germany appears to be the country where this track was created. Based on our statistics, Jeder, der Sie kennt, Fraulein's popularity is unknown right now. The overall tone is very danceable, especially with its high energy, which produces more of a euphoric, cheerful, or happy vibe.
We consider the tempo marking of Jeder, der Sie kennt, Fraulein by Peter Igelhoff, Kleines Ensemble to be Allegro (fast, quick, and bright) because the track has a tempo of 123 BPM, a half-time of 62BPM, and a double-time of 246 BPM. Based on that, the speed of the song's tempo is fast. Activities such as, walking, can go well with this song. The time signature for this track is 4/4.
This song has a musical key of E♭ Major. This also means that this song has a camelot key of 5B. So, the perfect camelot match for 5B would be either 5B or 6A. While, 6B can give you a low energy boost. For moderate energy boost, you would use 2B and a high energy boost can either be 7B or 12B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 5A or 4B will give you a low energy drop, 8B would be a moderate one, and 3B or 10B would be a high energy drop. Lastly, 2A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Der alte Sünder | Wolfgang Ambros, Christian Kolonovits, Ambassade Orchester Wien | F Major | 5 | 7B | 171 BPM | ||
Mamatschi | Margot Eskens | G Major | 2 | 9B | 131 BPM | ||
Eine Frau wird erst schön durch die Liebe | Zarah Leander | B♭ Major | 2 | 6B | 86 BPM | ||
Kriminal-Tango | Hazy Osterwald Sextett | F Minor | 4 | 4A | 123 BPM | ||
Noch Einen Tanz | Esther and Abi Ofarim | C Major | 2 | 8B | 101 BPM | ||
Küssen kann man nicht alleine | Max Raabe & Palast Orchester | C Minor | 3 | 5A | 79 BPM | ||
Zuckerpuppe (Aus der Bauchtanzgruppe) | Bill Ramsey | B♭ Major | 7 | 6B | 135 BPM | ||
In an 18th Century Drawing Room - 1942 Orchestral Version | Raymond Scott | B Major | 4 | 1B | 96 BPM | ||
... Und Schuld daran sind nur die Frau'n | Fred Bertelmann | G Minor | 5 | 6A | 129 BPM | ||
Sie will nicht Blumen und nicht Schokolade | Ulrich Tukur & Die Rhythmus Boys | A Major | 3 | 11B | 124 BPM |
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