"Mozart: Lacrimosa from Requiem in D Minor (Arr. For Piano and Voice Quartet)" by Daniela Santos was released on September 26, 2018. The duration of Mozart: Lacrimosa from Requiem in D Minor (Arr. For Piano and Voice Quartet) is about 3 minutes long, at 3:18. Based on our data, "Mozart: Lacrimosa from Requiem in D Minor (Arr. For Piano and Voice Quartet)" appears to be safe for all ages and is not considered explicit. This track is about the average length of a typical track. Because this song is the only song in Mozart: Lacrimosa from Requiem in D Minor (Arr. For Piano and Voice Quartet) and no other songs are present in the album, we classify this track as a single. In terms of popularity, Mozart: Lacrimosa from Requiem in D Minor (Arr. For Piano and Voice Quartet) is currently below average in popularity. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
We consider the tempo marking of Mozart: Lacrimosa from Requiem in D Minor (Arr. For Piano and Voice Quartet) by Daniela Santos to be Moderato (at a moderate speed) because the track has a tempo of 111 BPM, a half-time of 56BPM, and a double-time of 222 BPM. Based on that, the speed of the song's tempo is moderate. The time signature for this track is 3/4.
D Minor is the music key of this track. Because this track belongs in the D Minor key, the camelot key is 7A. So, the perfect camelot match for 7A would be either 7A or 6B. While, a low energy boost can consist of either 7B or 8A. For moderate energy boost, you would use 4A and a high energy boost can either be 9A or 2A. However, if you are looking for a low energy drop, finding a song with a camelot key of 6A would be a great choice. Where 10A would give you a moderate drop, and 5A or 12A would be a high energy drop. Lastly, 10B allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Black Earth, Op. 8 | Fazıl Say | D Major | 1 | 10B | 99 BPM | ||
Violin Sonata in G Minor, "Devil's Trill": I. Larghetto | Giuseppe Tartini, Ray Chen | B♭ Major | 0 | 6B | 90 BPM | ||
Prince Igor: Polovtsian Dances (Remastered): No. 17e, Moderato alla breve | Alexander Borodin, Leonard Bernstein, New York Philharmonic | A Major | 2 | 11B | 0 BPM | ||
Kumru, Op.12/2 | Fazıl Say | A Minor | 1 | 8A | 133 BPM | ||
Czardas | Vittorio Monti, Lakatos | D Minor | 3 | 7A | 104 BPM | ||
Leise flehen meine Lieder, D. 957 | Slovak Philharmonic, Bohdan Warchal | D Major | 1 | 10B | 123 BPM | ||
Prince Igor (Knyaz Igor): Act II: Polovtsian Dances - Ulyetay na kril'yahk vyetra (Fly away on the wings of the wind) (version for chorus) | Alexander Borodin, Angelina Shvachka, Dmytro Popov, Mykola Koval, Taras Shtonda, Mykola Hobdych, Kiev Chamber Choir, Ukraine National Radio Symphony Orchestra, Theodore Kuchar | D Major | 2 | 10B | 110 BPM | ||
Dido and Aeneas, Z. 626 / Act III: "When I Am Laid in Earth" Dido's Lamento (Arr. by Mathieu Herzog for Cello and Strings) | Henry Purcell, Camille Thomas, Brussels Philharmonic, Mathieu Herzog | G Minor | 1 | 6A | 77 BPM | ||
Piano Sonata No. 17 "Tempest" | Viriato Baltasar, Junior dos Santos Silva | G Minor | 2 | 6A | 106 BPM | ||
Influence | Philippe Paquet, Agnès Langlois, Benjamin Bertin, Dominique Beauséjour-Ostiguy, Jeanne Côté, Marie-Claire Vaillancourt, Vincent Delorme | D Major | 3 | 10B | 107 BPM |
Section: 0.7636315822601318
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