Shchedrin: Prelude No. 7 In A Major - Rodion Shchedrin, Joachim Kwetzinsky Information

Acousticness: 96%
Danceability: 43%
Energy: 23%
Instrumentalness: 90%
Liveness: 47%
Loudness: 57%
Speechiness: 3%
Valence: 71%
Popularity: 1%
Loudness: -25.602 dB

Summary

Rodion Shchedrin, Joachim Kwetzinsky made "Shchedrin: Prelude No. 7 In A Major" available on March 12, 2010. With Shchedrin: Prelude No. 7 In A Major being less than a minute long, we are pretty confident that this song does not contain any foul language. That being said, this song is pretty short compared to other songs. There are a total of 30 in the song's album "Polyphonic Dialogues: Shostakovich - Shchedrin". In this album, this song's track order is #12. Shchedrin: Prelude No. 7 In A Major is not that popular right now. The overall mood can be danceable to some, especially with it's high amount of postive energy.

Shchedrin: Prelude No. 7 In A Major BPM

With Shchedrin: Prelude No. 7 In A Major by Rodion Shchedrin, Joachim Kwetzinsky having a BPM of 74 with a half-time of 37 BPM and a double-time of 148 BPM, we would consider this track to have a Adagio (slowly with great expression) tempo marking. Because of this, we believe that the song has an overall slow tempo. The time signature for this track is 3/4.

Shchedrin: Prelude No. 7 In A Major Key

This song has a musical key of A Major. Or for those who are familiar with the camelot wheel, this song has a camelot key of 11B. So, the perfect camelot match for 11B would be either 11B or 12A. While, 12B can give you a low energy boost. For moderate energy boost, you would use 8B and a high energy boost can either be 1B or 6B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 11A or 10B will give you a low energy drop, 2B would be a moderate one, and 9B or 4B would be a high energy drop. Lastly, 8A allows you to change the mood.

Recommendations

Track	Artist	Key	Energy	Camelot	BPM
Italian Polka	Sergei Rachmaninoff, Brigitte Engerer, Oleg Maisenberg	E♭ Major	1	5B	103 BPM
Abdelazar Suite, Z. 570: VI. Air	Henry Purcell, Camerata Nordica, Terje Tonnesen	G Minor	2	6A	131 BPM
Ruslan and Lyudmila, Op. 5: Overture	Mikhail Glinka, Taras Shtonda, Ekaterina Morozova, Vadim Lynkovsky, Aleksandra Durseneva, Panfilov, Maria Gavrilova, Valery Gilmanov, Maksim Paster, Irina Dolzhenko, Bolshoi Theatre Orchestra, Alexander Vedernikov	E Minor	1	9A	154 BPM
Symphonie fantastique, Op. 14, H 48: II. Un Bal	Hector Berlioz, London Symphony Orchestra, Sir Colin Davis	A Major	1	11B	113 BPM
Goyescas: Intermezzo	Enrique Granados, Orquestra Simfònica de Barcelona i Nacional de Catalunya, Pablo González	E♭ Major	1	5B	131 BPM
The Sealed Angel: III. L’istesso tempo - Sostenuto assai	Rodion Shchedrin, Александр Голышев, Лолита Семенина, Татьяна Жданова, Aleksey Alekseyev, Владимир Минин, Московский камерный хор, Государственный академический русский хор СССР	D Minor	0	7A	134 BPM
Symphony No. 2 In C Minor - "Resurrection" / 1st Movement - Allegro maestoso (Totenfeier): Allegro maestoso	Gustav Mahler, Wiener Philharmoniker, Gilbert Kaplan	C Minor	1	5A	80 BPM
Bruch : Violin Concerto No.1 in G minor Op.26 : III Finale - Allegro energico	Max Bruch, Maxim Vengerov, Kurt Masur, Gewandhausorchester Leipzig	G Major	2	9B	90 BPM
Carmen Suite after Bizet's Opera: 3. First Intermezzo	Rodion Shchedrin, Russian National Orchestra, Mikhail Pletnev	A Minor	1	8A	150 BPM
Mussorgsky: Pictures at an Exhibition: No. 1, Promenade I	Modest Mussorgsky, Berliner Philharmoniker, Sir Simon Rattle	F Major	0	7B	88 BPM

ISRC: This song does not have an ISRC.
Label: L-M Records/RCA Records

Section: 0.7759275436401367

End: 0.7805852890014648