"Nowell: Arise and Wake" by Andrew Smith, New York Polyphony was released on September 2, 2014. With this song being around four minutes long, at 3:37, the duration of this song is pretty average compared to other songs. This track is safe for children and doesn't appear to contain any foul language, since the "Explicit" tag was not present in this track. There are a total of 24 in the song's album "Sing Thee Nowell". In this album, this song's track order is #11. Furthermore, we believe that the track originated from Sweden. In terms of popularity, Nowell: Arise and Wake is currently unknown. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
With Nowell: Arise and Wake by Andrew Smith, New York Polyphony having a BPM of 92 with a half-time of 46 BPM and a double-time of 184 BPM, we would consider this track to have a Andante (at a walking pace) tempo marking. Because of this, we believe that the song has an overall slow tempo. Looking at the BPM of this song, this song might go great with yoga or pilates. The time signature for this track is 3/4.
D♭ Major is the music key of this track. Or for those who are familiar with the camelot wheel, this song has a camelot key of 3B. So, the perfect camelot match for 3B would be either 3B or 4A. While, 4B can give you a low energy boost. For moderate energy boost, you would use 12B and a high energy boost can either be 5B or 10B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 3A or 2B will give you a low energy drop, 6B would be a moderate one, and 1B or 8B would be a high energy drop. Lastly, 12A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Israel in Egypt, HWV 54, Pt 3. "Moses' Song": IX. Who is like unto thee (Chorus) | George Frideric Handel, Apollo's Fire, Jeannette Sorrell, Apollo's Singers | B Major | 4 | 1B | 110 BPM | ||
4 Hölderlin-Fragmente: No. 4, Ihr wandelt droben im Licht | Friedrich Cerha, SWR Vokalensemble Stuttgart, Marcus Creed | F♯ Minor | 1 | 11A | 141 BPM | ||
Les Sept paroles de Notre Seigneur Jésus-Christ sur la croix, CG 147: VII. Pater in manus tuas | Charles Gounod, Ensemble Vocal de Lausanne, Michel Corboz | F Major | 0 | 7B | 75 BPM | ||
A St. Edmund Mass: IV. Our Father | Andrew Smith, Choirs of Nashotah House Theological Seminary, Thomas Heidenreich, Geoffrey Williams | G Minor | 0 | 6A | 68 BPM | ||
To Sing of Love - A Triptych: II. Perilously | Taylor Scott Davis, VOCES8 Foundation Choir, VOCES8 Foundation Orchestra, Jack Liebeck, Barnaby Smith | C Minor | 1 | 5A | 78 BPM | ||
Compton Knight | Brant Dennee, Andrew Smith, Darren Trentacoste | F♯ Major | 7 | 2B | 180 BPM | ||
Dormi Jesu, Op. 3 | Edmund Rubbra, St. Margaret's Westminster Singers, Richard Hickox | E Minor | 1 | 9A | 72 BPM | ||
Lieder ohne Worte, Op. 30: No. 3 in E Major, Adagio non troppo, MWV U 104 (Arr. H. Villa-Lobos for Choir) | Felix Mendelssohn, Orquestra Sinfônica do Estado de São Paulo, Valentina Peleggi | E♭ Major | 0 | 5B | 75 BPM | ||
Sacred Place: III. Shema | Alex Berko, Conspirare, Kathlene Ritch, Haitham Haidar, Carla McElhaney, Sandy Yamamoto, Daniel Kopp, Craig Hella Johnson | D Minor | 1 | 7A | 141 BPM | ||
Angelic Symphony | LeoRoads | A Minor | 1 | 8A | 93 BPM |
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