Giuseppe Verdi, Helene Schneiderman, Herman Wallen, Wiener Philharmoniker, Carlo Rizzi, Vienna State Opera Chorus, Rupert Huber's 'La traviata / Act 2: "Noi siamo zingarelle"' came out on January 1, 2005. The duration of La traviata / Act 2: "Noi siamo zingarelle" is about two minutes long, specifically at 2:50. This song does not appear to have any foul language. La traviata / Act 2: "Noi siamo zingarelle"'s duration is considered a little bit shorter than the average duration of a typical track. This song is part of Verdi: La Traviata by Giuseppe Verdi, Anna Netrebko, Rolando Villazón, Wiener Philharmoniker. The song's track number on the album is #2 out of 38 tracks. Based on our data, Germany was the country where this track was produced or recorded. Based on our statistics, La traviata / Act 2: "Noi siamo zingarelle"'s popularity is below average in popularity right now. Although the tone can be danceable to some, this track does projects more of a negative sound rather than a postive one.
Since La traviata / Act 2: "Noi siamo zingarelle" by Giuseppe Verdi, Helene Schneiderman, Herman Wallen, Wiener Philharmoniker, Carlo Rizzi, Vienna State Opera Chorus, Rupert Huber has a tempo of 124 beats per a minute, the tempo markings of this song would be Allegro (fast, quick, and bright). With La traviata / Act 2: "Noi siamo zingarelle" being at 124 BPM, the half-time would be 62 BPM with a double-time of 248 BPM.In addition, we consider the tempo speed to be pretty fast for this song. This makes this song perfect for activities such as, walking. The time signature for this track is 4/4.
This song is in the music key of E Major. Or for those who are familiar with the camelot wheel, this song has a camelot key of 12B. So, the perfect camelot match for 12B would be either 12B or 1A. While, 1B can give you a low energy boost. For moderate energy boost, you would use 9B and a high energy boost can either be 2B or 7B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 12A or 11B will give you a low energy drop, 3B would be a moderate one, and 10B or 5B would be a high energy drop. Lastly, 9A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Mozart: Don Giovanni, K. 527, Act 2: "Questo è il fin di chi fa mal!" (Donna Elvira, Donna Anna, Zerlina, Don Ottavio, Masetto, Leporello) | Wolfgang Amadeus Mozart, Riccardo Muti, Carol Vaness, Cheryl Studer, Frank Lopardo, Natale de Carolis, Samuel Ramey, Susanne Mentzer, Wiener Philharmoniker | F Major | 1 | 7B | 95 BPM | ||
Die Zauberflöte / Act 1: "Bei Männern, welche Liebe fühlen" | Wolfgang Amadeus Mozart, Ruth Ziesak, Michael Kraus, Wiener Philharmoniker, Sir Georg Solti | E♭ Major | 0 | 5B | 77 BPM | ||
La Cenerentola / Act 2: "Son qui" | Gioachino Rossini, William Matteuzzi, Cecilia Bartoli, Gloria Banditelli, Fernanda Costa, Enzo Dara, Alessandro Corbelli, Orchestra del Teatro Comunale di Bologna, Riccardo Chailly | E♭ Major | 1 | 5B | 122 BPM | ||
La fanciulla del West, SC 78: Quello che tacete | Giacomo Puccini, Jonathan Tetelman, PKF – Prague Philharmonia, Carlo Rizzi | F♯ Major | 1 | 2B | 96 BPM | ||
L'elisir d'amore / Act 1: "Quanto è bella" | Gaetano Donizetti, Luciano Pavarotti, Maria Casula, Ambrosian Opera Chorus, English Chamber Orchestra, Richard Bonynge | C Major | 2 | 8B | 80 BPM | ||
Bizet: Carmen, WD 31, Act 1 Scene 7: No. 7, Duo, "Parle-moi de ma mère" (Micaëla, Don José) | Georges Bizet, Roberto Alagna, Michel Plasson, Orchestre National Du Capitole De Toulouse | C Major | 2 | 8B | 87 BPM | ||
Nabucco / Act 2: Salgo già del trono aurato | Giuseppe Verdi, Ghena Dimitrova, Kurt Rydl, Orchester der Deutschen Oper Berlin, Giuseppe Sinopoli, Chor der Deutschen Oper Berlin | C Major | 4 | 8B | 81 BPM | ||
Die Zauberflöte / Act 2: "O Isis und Osiris" | Wolfgang Amadeus Mozart, Kurt Moll, Vienna State Opera Chorus, Wiener Philharmoniker, Sir Georg Solti | F Major | 1 | 7B | 115 BPM | ||
Verdi: Messa da Requiem: V. Liber scriptus - Dies irae | Giuseppe Verdi, Riccardo Muti, Coro Del Teatro Alla Scala Di Milano, Dolora Zajic, Orchestra Del Teatro Alla Scala, Milano | G Minor | 1 | 6A | 86 BPM | ||
Ma rendi pur contento | Vincenzo Bellini, Rolando Villazón, Orchestra del Maggio Musicale Fiorentino, Marco Armiliato | A♭ Major | 1 | 4B | 79 BPM |
Section: 0.5513045787811279
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