Bohuslav Martinů, Heinz Holliger, Academy of St. Martin in the Fields, Sir Neville Marriner's 'Oboe Concerto: 3. Poco allegro' came out on May 1, 1993. Oboe Concerto: 3. Poco allegro is about six minutes long, preciously at 6:06, making this song fairly long compared to other songs. The track order of this song in Heinz Holliger, Ursula Holliger, Aurèle Nicolet, Academy of St. Martin in the Fields, Sir Neville Marriner's "Honegger: Concerto da camera / Martinů: Oboe Concerto / Martin: Trois danses; Petite complainte; Pièce brève" album is number 13 out of 13. In terms of popularity, Oboe Concerto: 3. Poco allegro is currently not that popular. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
We consider the tempo marking of Oboe Concerto: 3. Poco allegro by Bohuslav Martinů, Heinz Holliger, Academy of St. Martin in the Fields, Sir Neville Marriner to be Andante (at a walking pace) because the track has a tempo of 96 BPM, a half-time of 48BPM, and a double-time of 192 BPM. Based on that, the speed of the song's tempo is slow. The time signature for this track is 4/4.
B♭ Major is the music key of this track. This also means that this song has a camelot key of 6B. So, the perfect camelot match for 6B would be either 6B or 7A. While, 7B can give you a low energy boost. For moderate energy boost, you would use 3B and a high energy boost can either be 8B or 1B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 6A or 5B will give you a low energy drop, 9B would be a moderate one, and 4B or 11B would be a high energy drop. Lastly, 3A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Kitchen Revue, H. 161: I. Prologue | Bohuslav Martinů, Karel Dlouhy, Jiri Formacek, Vaclav Junek, Bruno Bělčík, Milos Sadlo, Frantisek Rauch | D Minor | 2 | 7A | 116 BPM | ||
Relâche, Pt. 2: No. 10, La femme rejoint son fauteuil | Erik Satie, Ronald Corp, New London Orchestra | D Major | 3 | 10B | 122 BPM | ||
The Tempest: Suite No. 2, Op. 109: VII. The Naiads | Jean Sibelius, Iceland Symphony Orchestra, Petri Sakari | C Major | 1 | 8B | 70 BPM | ||
Raymonda, Act III: Variation for female dancer | Alexander Glazunov, English National Ballet Philharmonic, Gavin Sutherland | B Major | 0 | 1B | 76 BPM | ||
String Quartet No. 1 in E Minor, JB 1:105: IV. Vivace | Bedřich Smetana, Pavel Haas Quartet | E Major | 3 | 12B | 125 BPM | ||
Clarinet Concerto: I. Allegro | Jean Françaix, Orchestra della Svizzera Italiana, Alain Lombard, Paolo Beltramini | A Major | 2 | 11B | 128 BPM | ||
Concertante Variationen über ein Thema von Beethoven für Klavier und Orchester: III. Ruhig fließend - Arr. For 2 Hands by Friedrich Wührer | Franz Schmidt, Friedrich Wührer, Ragna Schirmer, Andrey Boreyko, Hamburg Symphony Orchestra | F♯ Minor | 2 | 11A | 107 BPM | ||
Piano Concerto No. 2 Op. 102 in F Major: I. Allegro | Dmitri Shostakovich, Alexander Melnikov, Mahler Chamber Orchestra, Teodor Currentzis | B♭ Major | 2 | 6B | 73 BPM | ||
Borodin - String Quartet No.2 in D major: Scherzo: Allegro | Alexander Borodin, Borodin Quartet | C Major | 2 | 8B | 121 BPM | ||
Passacaglia | Rebecca Clarke, Philip Dukes, Sophia Rahman | C Minor | 1 | 5A | 78 BPM |
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