"The Gadfly Suite, Op. 97a: 8. Romance (Arr. by Lev Atovmyan) - From "The Gadfly"" by David Stanhope, Tasmanian Symphony Orchestra, Barbara Jane Gilby was released on 1997. The Gadfly Suite, Op. 97a: 8. Romance (Arr. by Lev Atovmyan) - From "The Gadfly" is about six minutes long, preciously at 6:23, making this song fairly long compared to other songs. The track order of this song in Various Artists's "My First Violin Album" album is number 5 out of 14. The Gadfly Suite, Op. 97a: 8. Romance (Arr. by Lev Atovmyan) - From "The Gadfly" is not that popular right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
We consider the tempo marking of The Gadfly Suite, Op. 97a: 8. Romance (Arr. by Lev Atovmyan) - From "The Gadfly" by David Stanhope, Tasmanian Symphony Orchestra, Barbara Jane Gilby to be Andante (at a walking pace) because the track has a tempo of 79 BPM, a half-time of 40BPM, and a double-time of 158 BPM. Based on that, the speed of the song's tempo is slow. The time signature for this track is 4/4.
D♭ Major is the music key of this track. This also means that this song has a camelot key of 3B. So, the perfect camelot match for 3B would be either 3B or 4A. While, 4B can give you a low energy boost. For moderate energy boost, you would use 12B and a high energy boost can either be 5B or 10B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 3A or 2B will give you a low energy drop, 6B would be a moderate one, and 1B or 8B would be a high energy drop. Lastly, 12A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Trout Quintet: Theme and variations | Franz Schubert, Boris Berezovsky, Soloists of the Royal Opera House Orchestra, Covent Garden, Vasko Vassiliev, Andrew Staples, Christopher Vanderspar, Tony Hougham | E♭ Major | 0 | 5B | 75 BPM | ||
Romance in F Major, Op. 36, R. 195 (Version for Cello & Orchestra) | Camille Saint-Saëns, Gabriel Schwabe, Malmö Symphony Orchestra, Marc Soustrot | A Minor | 1 | 8A | 134 BPM | ||
Fantasy on an Anthem | Elena Kats-Chernin, Adelaide Symphony Orchestra, David Stanhope, Tamara Anna Cislowska | G Major | 2 | 9B | 180 BPM | ||
Polonaise in B-Flat Major for Violin and Orchestra, D. 580 | Franz Schubert, David Zinman | B♭ Major | 1 | 6B | 98 BPM | ||
Symphony No. 4 in A Major, Op. 90, MWV N 16, "Italian": I. Allegro vivace | Felix Mendelssohn, Wiener Philharmoniker, John Eliot Gardiner | A Minor | 2 | 8A | 95 BPM | ||
La pentola magica, P. 129: Preludio | Ottorino Respighi, Jakub Francisci, Slovak Radio Symphony Orchestra, Adriano | D Minor | 0 | 7A | 91 BPM | ||
The Bank: First Million | Sinfonia Australis, David Stanhope | B Major | 0 | 1B | 90 BPM | ||
Variations on an Original Theme, Op. 36 "Enigma": Variation No. 9 "Nimrod" | Edward Elgar, Adelaide Symphony Orchestra, David Stanhope | D Major | 3 | 10B | 100 BPM | ||
Symphony No. 3 in C Minor, Op. 78 "Organ": Allegro moderato | Camille Saint-Saëns, Eugene Ormandy, Philadelphia Orchestra | A♭ Major | 1 | 4B | 109 BPM | ||
Concerto for Tuba and Orchestra: III. Gigue | Michael Kenny, Peter Whish-Wilson, David Stanhope, Adelaide Symphony Orchestra | F Major | 3 | 7B | 133 BPM |
Section: 0.7712061405181885
End: 0.7755236625671387