"Piano Concerto No. 12 in A Major, K. 414: III. Rondeau. Allegretto" by Wolfgang Amadeus Mozart, Murray Perahia, English Chamber Orchestra was released on 1976. Piano Concerto No. 12 in A Major, K. 414: III. Rondeau. Allegretto is about six minutes long, preciously at 6:19, making this song fairly long compared to other songs. The track order of this song in Wolfgang Amadeus Mozart, Murray Perahia's "Mozart: The Complete Piano Concertos" album is number 6 out of 83. On top of that, United States appears to be the country where this track was created. Piano Concerto No. 12 in A Major, K. 414: III. Rondeau. Allegretto is not that popular right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
We consider the tempo marking of Piano Concerto No. 12 in A Major, K. 414: III. Rondeau. Allegretto by Wolfgang Amadeus Mozart, Murray Perahia, English Chamber Orchestra to be Andante (at a walking pace) because the track has a tempo of 81 BPM, a half-time of 40BPM, and a double-time of 162 BPM. Based on that, the speed of the song's tempo is slow. The time signature for this track is 4/4.
The music key of this track is A Major. This also means that this song has a camelot key of 11B. So, the perfect camelot match for 11B would be either 11B or 12A. While, 12B can give you a low energy boost. For moderate energy boost, you would use 8B and a high energy boost can either be 1B or 6B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 11A or 10B will give you a low energy drop, 2B would be a moderate one, and 9B or 4B would be a high energy drop. Lastly, 8A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
18 Études, Op. 109: No. 12, Le réveil dans les bois | Franz Burgmüller, Carl Petersson | F Major | 4 | 7B | 194 BPM | ||
Lyric Pieces Book I, Op. 12: No. 7 Album Leaf | Edvard Grieg, Alice Sara Ott | D Major | 2 | 10B | 121 BPM | ||
Rachmaninov: 10 Preludes, Op. 23: No. 9 in E-Flat Minor | Sergei Rachmaninoff, Boris Berezovsky | G Major | 0 | 9B | 92 BPM | ||
Debussy: Children's Corner, CD 119, L. 113: No. 3, Serenade for the Doll | Claude Debussy, Monique Haas | A♭ Major | 0 | 4B | 73 BPM | ||
Haydn: Symphony No. 92 in G Major, Hob. I:92 "Oxford": II. Adagio | Joseph Haydn, Sir Simon Rattle, Berliner Philharmoniker | B♭ Major | 1 | 6B | 75 BPM | ||
Etude in A-Flat Major | Clara Schumann, Jozef De Beenhouwer | A♭ Major | 0 | 4B | 104 BPM | ||
Le Tic-Toc-Choc, ou Les Maillotins: 18ème ordre, 3ème livre | François Couperin, Iddo Bar-Shaï | C Major | 3 | 8B | 145 BPM | ||
French Suite No. 6 in E Major, BWV 817: III. Sarabande | Johann Sebastian Bach, Murray Perahia | E Major | 0 | 12B | 69 BPM | ||
Piano Concerto No. 7 for 3 Pianos in F Major, K. 242 "Lodron": II. Adagio | Wolfgang Amadeus Mozart, Karin Kei Nagano, Mari Kodama, Momo Kodama, Orchestre de la Suisse Romande, Kent Nagano | B♭ Major | 1 | 6B | 79 BPM | ||
Keyboard Sonata in C Major, Kk. 159: Allegro | Domenico Scarlatti, Ivo Pogorelich | C Major | 2 | 8B | 169 BPM |
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