"The Merry Widow, Act I: "Oh Kommt Doch, Oh Kommt Ihr Ballsirenen"" by Franz Lehár, Franz Bauer-Theussl, Vienna Volksoper Orchestra was released on January 1, 2009. With this song being around four minutes long, at 4:08, the duration of this song is pretty average compared to other songs. This track is safe for children and doesn't appear to contain any foul language, since the "Explicit" tag was not present in this track. There are a total of 13 in the song's album "Nicolai: Merry Wives of Windsor Highlights - Lehár: The Merry Widow Highlights". In this album, this song's track order is #5. Furthermore, we believe that the track originated from United States. The Merry Widow, Act I: "Oh Kommt Doch, Oh Kommt Ihr Ballsirenen" is unknown right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
With The Merry Widow, Act I: "Oh Kommt Doch, Oh Kommt Ihr Ballsirenen" by Franz Lehár, Franz Bauer-Theussl, Vienna Volksoper Orchestra having a BPM of 87 with a half-time of 44 BPM and a double-time of 174 BPM, we would consider this track to have a Andante (at a walking pace) tempo marking. Because of this, we believe that the song has an overall slow tempo. Looking at the BPM of this song, this song might go great with yoga or pilates. The time signature for this track is 3/4.
F Major is the music key of this track. This also means that this song has a camelot key of 7B. So, the perfect camelot match for 7B would be either 7B or 8A. While, 8B can give you a low energy boost. For moderate energy boost, you would use 4B and a high energy boost can either be 9B or 2B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 7A or 6B will give you a low energy drop, 10B would be a moderate one, and 5B or 12B would be a high energy drop. Lastly, 4A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Contes d'Hoffmann: Les oiseaux dans la charnille | Jacques Offenbach, Olga Peretyatko, Miguel Gomez-Martinez | B♭ Major | 2 | 6B | 96 BPM | ||
Mozart: Le nozze di Figaro, Act 2: "Porgi amor qualche ristoro" (La Contessa) | Wolfgang Amadeus Mozart, Daniel Barenboim, Berliner Philharmoniker, Lella Cuberli | E♭ Major | 1 | 5B | 178 BPM | ||
L'elisir d'Amor: Una furtiva lagrima | Carlo Bergonzi | F Minor | 3 | 4A | 63 BPM | ||
West Side Story: XIII. Somewhere | Leonard Bernstein, Marilyn Horne, Orchestra | E Major | 1 | 12B | 88 BPM | ||
Il Bacio | Luigi Arditi, Olga Peretyatko, Enrique Mazzola | D Major | 1 | 10B | 96 BPM | ||
Il barbiere di Siviglia: Largo al factotum - Remastered | Gioachino Rossini, Erich Leinsdorf | C Major | 3 | 8B | 66 BPM | ||
Don Pasquale: Tornami a dir che m'ami | Angela Gheorghiu, Richard Armstrong, Roberto Alagna | A Major | 0 | 11B | 90 BPM | ||
Dein ist mein ganzes Herz | Rudolf Schock | D♭ Major | 3 | 3B | 46 BPM | ||
La Bohème / Act 4: "O Mimì, tu più non torni" | Giacomo Puccini, Roberto Alagna, Simon Keenlyside, Roberto de Candia, Ildebrando D'Arcangelo, Orchestra Del Teatro Alla Scala, Milano, Riccardo Chailly | A Major | 1 | 11B | 109 BPM | ||
La belle Hélène / Act 1: "Au Mont Ida, trois déesses" | Jacques Offenbach, Juan Diego Flórez, Orchestra del Teatro Comunale di Bologna, Roberto Abbado | F Major | 2 | 7B | 88 BPM |
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