"Piano Concerto No. 2 in G Minor, Op. 22: III. Presto" by Camille Saint-Saëns, Lang Lang, Gewandhausorchester, Andris Nelsons was released on February 29, 2024. Since Piano Concerto No. 2 in G Minor, Op. 22: III. Presto is still less than 10 minute long, it is still considered a pretty long duration song compared to the average song length. This song does not appear to be explicit due to the lack of the "E" tag. There are a total of 33 in the song's album "Saint-Saëns". In this album, this song's track order is #18. Furthermore, we believe that the track originated from Germany. Based on our statistics, Piano Concerto No. 2 in G Minor, Op. 22: III. Presto's popularity is below average in popularity right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
With Piano Concerto No. 2 in G Minor, Op. 22: III. Presto by Camille Saint-Saëns, Lang Lang, Gewandhausorchester, Andris Nelsons having a BPM of 126 with a half-time of 63 BPM and a double-time of 252 BPM, we would consider this track to have a Allegro (fast, quick, and bright) tempo marking. Because of this, we believe that the song has an overall fast tempo. Looking at the BPM of this song, this song might go great with walking. The time signature for this track is 4/4.
A Minor is the music key of this track. Which also means that the camelot key for this song is 8A. So, the perfect camelot match for 8A would be either 8A or 7B. While, a low energy boost can consist of either 8B or 9A. For moderate energy boost, you would use 5A and a high energy boost can either be 10A or 3A. However, if you are looking for a low energy drop, finding a song with a camelot key of 7A would be a great choice. Where 11A would give you a moderate drop, and 6A or 1A would be a high energy drop. Lastly, 11B allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Bruch: Violin Concerto No. 1 in G Minor, Op. 26: I. Prelude. Allegro moderato | Max Bruch, Maxim Vengerov, Kurt Masur, Gewandhausorchester Leipzig | E♭ Major | 1 | 5B | 113 BPM | ||
Goldberg Variations, BWV 988: Variatio 5 a 1 ovvero 2 Clav. | Johann Sebastian Bach, Lang Lang | G Major | 3 | 9B | 146 BPM | ||
Le sacre du printemps / Pt. 2: Le sacrifice: XIV. Danse sacrale: L'Élue | Igor Stravinsky, Orchestre de Paris, Klaus Mäkelä | C Major | 2 | 8B | 152 BPM | ||
Suite francaise d'après Claude Gervaise, Bransle de bourgogne | Francis Poulenc, Alexandre Tharaud | C Major | 1 | 8B | 90 BPM | ||
Pictures at an Exhibition (Orch. M. Ravel): II. Il vecchio castello | Modest Mussorgsky, フランス国立リヨン管弦楽団, レナード・スラットキン | A♭ Major | 2 | 4B | 87 BPM | ||
Charakterstücke, Op. 3, JB 1:65: No. 1, An Robert Schumann | Bedřich Smetana, Jitka Čechová | E Major | 1 | 12B | 136 BPM | ||
L'apprenti sorcier - Arranged by Victor Staub | Paul Dukas, Yuja Wang | D♭ Major | 3 | 3B | 175 BPM | ||
Children's Album, Op. 39, TH 141: 18. Neapolitan Song | Pyotr Ilyich Tchaikovsky, Valentina Lisitsa | E♭ Major | 1 | 5B | 103 BPM | ||
Rachmaninov: Suite No. 1 in G Minor, Op. 5 "Fantaisie-tableaux": IV. Pâques | Sergei Rachmaninoff, Martha Argerich, Alexandre Rabinovitch | G Minor | 5 | 6A | 91 BPM | ||
Saint-Saëns: Tarentelle, Op. 6 | Camille Saint-Saëns, Emmanuel Pahud, François Leleux, Orchestre de chambre de Paris | A Minor | 1 | 8A | 75 BPM |
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