"Rachmaninov: Suite No. 1 in G Minor, Op. 5 "Fantaisie-tableaux": IV. Pâques" by Sergei Rachmaninoff, Martha Argerich, Alexandre Rabinovitch was released on March 12, 1992. The duration of Rachmaninov: Suite No. 1 in G Minor, Op. 5 "Fantaisie-tableaux": IV. Pâques is about two minutes long, specifically at 2:38. This song does not appear to have any foul language. Rachmaninov: Suite No. 1 in G Minor, Op. 5 "Fantaisie-tableaux": IV. Pâques's duration is considered a little bit shorter than the average duration of a typical track. There are a total of 11 in the song's album "Rachmaninoff: Suites, Op. 5 & 17 & Symphonic Dances, Op. 45". In this album, this song's track order is #4. In terms of popularity, Rachmaninov: Suite No. 1 in G Minor, Op. 5 "Fantaisie-tableaux": IV. Pâques is currently not that popular. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
With Rachmaninov: Suite No. 1 in G Minor, Op. 5 "Fantaisie-tableaux": IV. Pâques by Sergei Rachmaninoff, Martha Argerich, Alexandre Rabinovitch having a BPM of 91 with a half-time of 46 BPM and a double-time of 182 BPM, we would consider this track to have a Andante (at a walking pace) tempo marking. Because of this, we believe that the song has an overall slow tempo. Looking at the BPM of this song, this song might go great with yoga or pilates. The time signature for this track is 4/4.
This song has a musical key of G Minor. Which also means that the camelot key for this song is 6A. So, the perfect camelot match for 6A would be either 6A or 5B. While, a low energy boost can consist of either 6B or 7A. For moderate energy boost, you would use 3A and a high energy boost can either be 8A or 1A. However, if you are looking for a low energy drop, finding a song with a camelot key of 5A would be a great choice. Where 9A would give you a moderate drop, and 4A or 11A would be a high energy drop. Lastly, 9B allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Piano Sonata No. 3 in B Minor, Op. 58: I. Allegro maestoso | Frédéric Chopin, Martha Argerich | B♭ Major | 1 | 6B | 173 BPM | ||
Sonata for cello and piano: IV. Finale | Francis Poulenc, Alexandre Tharaud, Jean-Guihen Queyras | B Major | 1 | 1B | 87 BPM | ||
Piano Sonata in G-Sharp Minor Op. 19, No. 2, "Sonata Fantasy": 1. Andante | Alexander Scriabin, Vladimir Ashkenazy | E Major | 0 | 12B | 66 BPM | ||
Images I, L. 110: 2. Hommage à Rameau | Claude Debussy, Seong-Jin Cho | D♭ Major | 0 | 3B | 69 BPM | ||
Piano Concerto No. 1 in C Minor, Op. 35: I. Allegretto - Allegro vivace | Dmitri Shostakovich, André Previn, William Vacchiano, New York Philharmonic, Leonard Bernstein | G Major | 2 | 9B | 124 BPM | ||
Beethoven: Piano Quartets, WoO 36: No. 3 in C Major: III. Rondo. Allegro (Live) | Ludwig van Beethoven, Renaud Capuçon, Lyda Chen, Gautier Capuçon, Martha Argerich | D Major | 2 | 10B | 143 BPM | ||
Sonata For Violin And Piano No.9 In A, Op.47 - "Kreutzer": 3. Finale (Presto) | Ludwig van Beethoven, Vadim Repin, Martha Argerich | E Major | 5 | 12B | 134 BPM | ||
Rhapsody in B Minor, Op. 79, No. 1 | Johannes Brahms, Martha Argerich | F♯ Major | 1 | 2B | 93 BPM | ||
Keyboard Concerto in D Major, Hob. XVIII:11 - Concerto for Piano: 3. Rondo all'Ungarese: Allegro assai | Franz Joseph Haydn, Martha Argerich, Württembergisches Kammerorchester Heilbronn, Jörg Faerber | D Major | 2 | 10B | 84 BPM | ||
Piano Concerto No. 2 Op. 102 in F Major: I. Allegro | Dmitri Shostakovich, Alexander Melnikov, Mahler Chamber Orchestra, Teodor Currentzis | B♭ Major | 2 | 6B | 73 BPM |
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