Bob Russell made "How Can I Say You're Mine" available on March 23, 2018. The duration of How Can I Say You're Mine is about 3 minutes long, at 3:10. Based on our data, "How Can I Say You're Mine" appears to be safe for all ages and is not considered explicit. This track is about the average length of a typical track. There are a total of 12 in the song's album "Running Crazy". In this album, this song's track order is #10. In terms of popularity, How Can I Say You're Mine is currently unknown. The overall tone is very danceable, especially with its high energy, which produces more of a euphoric, cheerful, or happy vibe.
With How Can I Say You're Mine by Bob Russell having a BPM of 116 with a half-time of 58 BPM and a double-time of 232 BPM, we would consider this track to have a Moderato (at a moderate speed) tempo marking. Because of this, we believe that the song has an overall moderate tempo. Looking at the BPM of this song, this song might go great with walking. The time signature for this track is 4/4.
A Major is the music key of this track. Or for those who are familiar with the camelot wheel, this song has a camelot key of 11B. So, the perfect camelot match for 11B would be either 11B or 12A. While, 12B can give you a low energy boost. For moderate energy boost, you would use 8B and a high energy boost can either be 1B or 6B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 11A or 10B will give you a low energy drop, 2B would be a moderate one, and 9B or 4B would be a high energy drop. Lastly, 8A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Ritornello dell’intervista | Nicola Piovani | B Minor | 5 | 10A | 113 BPM | ||
Caballería ligera | Waldo De Los Ríos | B♭ Major | 5 | 6B | 117 BPM | ||
Dvořák: Symphony No. 9 in E Minor, Op. 95, B. 178 "From the New World": II. Largo | Antonín Dvořák, Waldo De Los Ríos, Orquesta Manuel de Falla | D♭ Major | 4 | 3B | 140 BPM | ||
Les Contes d'Hoffmann / Act 4: "Belle nuit, ô nuit d'amour" | Jacques Offenbach, Anne Sofie von Otter, Francisco Araiza, Cheryl Studer, MDR Leipzig Radio Chorus, Staatskapelle Dresden, Jeffrey Tate | G Major | 3 | 9B | 140 BPM | ||
La traviata | Waldo De Los Ríos | C Major | 5 | 8B | 107 BPM | ||
You're Not Alone | Bob Russell | A Major | 7 | 11B | 118 BPM | ||
Perfidia | Los Indios Tabajaras | C Major | 3 | 8B | 147 BPM | ||
Ebb Tide | Frank Chacksfield, Frank Chacksfield Orchestra | C Major | 5 | 8B | 79 BPM | ||
Chinon/Eleanor's Arrival | John Barry | C Major | 2 | 8B | 79 BPM | ||
Casanova: Nuns' Chorus | Johann Strauss II, Dame Joan Sutherland, Ambrosian Light Opera Chorus, New Philharmonia Orchestra, Richard Bonynge | F♯ Major | 2 | 2B | 88 BPM |
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