Baroque Studio Orchestra, Denis Cloutier, Alexander Perovsky made "Concerto per violino, archi e basso continuo in la minore A-Moll op. 3/6 - III. Presto" available on February 1, 1993. The duration of Concerto per violino, archi e basso continuo in la minore A-Moll op. 3/6 - III. Presto is about two minutes long, specifically at 2:18. This song does not appear to have any foul language. Concerto per violino, archi e basso continuo in la minore A-Moll op. 3/6 - III. Presto's duration is considered a little bit shorter than the average duration of a typical track. The song is number 21 out of 21 in Antonio Vivaldi: Die 4 Jahreszeiten by Various Artists. Based on our statistics, Concerto per violino, archi e basso continuo in la minore A-Moll op. 3/6 - III. Presto's popularity is not that popular right now. The overall tone is very danceable, especially with its high energy, which produces more of a euphoric, cheerful, or happy vibe.
The tempo marking of Concerto per violino, archi e basso continuo in la minore A-Moll op. 3/6 - III. Presto by Baroque Studio Orchestra, Denis Cloutier, Alexander Perovsky is Allegro (fast, quick, and bright), since this song has a tempo of 129 BPM. With that information, we can conclude that the song has a fast tempo. This song can go great with walking. The time signature for this track is 4/4.
A Minor is the music key of this track. Because this track belongs in the A Minor key, the camelot key is 8A. So, the perfect camelot match for 8A would be either 8A or 7B. While, a low energy boost can consist of either 8B or 9A. For moderate energy boost, you would use 5A and a high energy boost can either be 10A or 3A. However, if you are looking for a low energy drop, finding a song with a camelot key of 7A would be a great choice. Where 11A would give you a moderate drop, and 6A or 1A would be a high energy drop. Lastly, 11B allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
14. Pavane. Andante Molto Moderato, Op. 50 | Gabriel Fauré, Philadelphia Orchestra, Eugene Ormandy | F♯ Minor | 0 | 11A | 129 BPM | ||
Canon in D Major, P. 37 | Johann Pachelbel, Edward Brewer, Orpheus Chamber Orchestra | D Major | 1 | 10B | 116 BPM | ||
Sinfonia in C Major: I. Allegro | I Solisti di Zagreb, Anton Nanut | C Minor | 1 | 5A | 66 BPM | ||
Bach, JS : Well-Tempered Clavier Book 1 : Prelude No.1 in C Major BWV846 | Daniel Barenboim | A Minor | 1 | 8A | 107 BPM | ||
Pachelbel : Suite No.6 in B flat major : I Sonate | Johann Pachelbel, Jean-François Paillard & Orchestre de Chambre Jean-François Paillard, Jean-François Paillard, Orchestre de chambre Jean-François Paillard | B♭ Major | 1 | 6B | 95 BPM | ||
The Bells of St. Geneviève | Marin Marais, Guildhall String Ensemble, Robert Salter, Paul Nicholson | A Minor | 1 | 8A | 122 BPM | ||
Ayres for the Violin: Diverse bizzarie sopra la Vecchia Sarabanda ò pur Ciaccona | Nicola Matteis, Palladian Ensemble | B Major | 2 | 1B | 134 BPM | ||
Grandes études de Paganini, S. 141: No. 3, La Campanella. Allegretto | Franz Liszt, Nikolai Lugansky | A♭ Minor | 2 | 1A | 98 BPM | ||
Mahler: Symphony No. 5 in C-Sharp Minor: IV. Adagietto (Sehr langsam) | Gustav Mahler, Sir John Barbirolli, New Philharmonia Orchestra | F Major | 0 | 7B | 87 BPM | ||
I. Overture: II. Rondo | Henry Purcell, Raymond Leppard, English Chamber Orchestra | D Minor | 3 | 7A | 100 BPM |
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