"Psalm 88 "O Lord God of My Salvation, I Have Cried Day and Night Before Thee"" by Clifford Hewis, Lincoln Cathedral Choir, Charles Harrison, Aric Prentice was released on 2014. Since Psalm 88 "O Lord God of My Salvation, I Have Cried Day and Night Before Thee" is still less than 10 minute long, it is still considered a pretty long duration song compared to the average song length. This song does not appear to be explicit due to the lack of the "E" tag. There are a total of 11 in the song's album "The Complete Psalms of David, Series 2 Vol. 6". In this album, this song's track order is #11. Furthermore, we believe that the track originated from United Kingdom. Psalm 88 "O Lord God of My Salvation, I Have Cried Day and Night Before Thee" is unknown right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
With Psalm 88 "O Lord God of My Salvation, I Have Cried Day and Night Before Thee" by Clifford Hewis, Lincoln Cathedral Choir, Charles Harrison, Aric Prentice having a BPM of 77 with a half-time of 38 BPM and a double-time of 154 BPM, we would consider this track to have a Andante (at a walking pace) tempo marking. Because of this, we believe that the song has an overall slow tempo. The time signature for this track is 4/4.
C Minor is the music key of this track. Which also means that the camelot key for this song is 5A. So, the perfect camelot match for 5A would be either 5A or 4B. While, a low energy boost can consist of either 5B or 6A. For moderate energy boost, you would use 2A and a high energy boost can either be 7A or 12A. However, if you are looking for a low energy drop, finding a song with a camelot key of 4A would be a great choice. Where 8A would give you a moderate drop, and 3A or 10A would be a high energy drop. Lastly, 8B allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Psalm 39: I said, I will take heed to my ways | James Turle, The Choir Of Westminster Abbey, Martin Neary | D Major | 0 | 10B | 129 BPM | ||
Tavener: The Lamb | John Tavener, Edward Higginbottom, Choir of New College, Oxford | E Minor | 0 | 9A | 80 BPM | ||
Psalm 130: 'Out of the deep have I called unto Thee, O Lord' (after Purcell) | James Turle, The Choir Of Westminster Abbey, Martin Neary | F Major | 0 | 7B | 83 BPM | ||
O Crux Ave | Rihards Dubra, Cambridge Chorale, Michael Kibblewhite | E♭ Minor | 0 | 2A | 104 BPM | ||
Be Thou My Vision ("Slane") | The Choir Of Westminster Abbey, London Brass, Martin Neary, Iain Simcock, Martin Baker | E♭ Major | 1 | 5B | 132 BPM | ||
O Maria vernans rosa | Jacob Clemens non Papa, The Monteverdi Choir, John Eliot Gardiner | C Major | 1 | 8B | 144 BPM | ||
Hymn: Jesu, Redémptor Ómnium | Traditional Song, Seminarians of Saint Peter Wigratzbad | G Minor | 1 | 6A | 74 BPM | ||
Praise my soul the king of heaven | John Goss, St. Paul's Cathedral Choir, Malcolm Archer | D Major | 2 | 10B | 83 BPM | ||
A choral fanfare | John Rutter, The Cambridge Singers | F Major | 0 | 7B | 72 BPM | ||
Come Thou Long Expected Jesus | The Scottish Festival Singers | G Major | 2 | 9B | 122 BPM |
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