Arthur Sullivan, Royal Philharmonic Orchestra, Isidore Godfrey, Valerie Masterson, Philip Potter's '26. Stay, Fred'ric stay!' came out on January 1, 1968. With 26. Stay, Fred'ric stay! being less than two minutes long, at 1:00, we are fairly confident that this song is not explicit and is safe for all ages. Based on the duration of this song, this song duration is much smaller than the average song duration. The track order of this song in Arthur Sullivan, The D'Oyly Carte Opera Company, Royal Philharmonic Orchestra, Isidore Godfrey's "Gilbert & Sullivan: The Pirates of Penzance" album is number 12 out of 40. 26. Stay, Fred'ric stay! is not that popular right now. Although the tone can be danceable to some, this track does projects more of a negative sound rather than a postive one.
We consider the tempo marking of 26. Stay, Fred'ric stay! by Arthur Sullivan, Royal Philharmonic Orchestra, Isidore Godfrey, Valerie Masterson, Philip Potter to be Adagio (slowly with great expression) because the track has a tempo of 71 BPM, a half-time of 36BPM, and a double-time of 142 BPM. Based on that, the speed of the song's tempo is slow. The time signature for this track is 3/4.
B♭ Major is the music key of this track. This also means that this song has a camelot key of 6B. So, the perfect camelot match for 6B would be either 6B or 7A. While, 7B can give you a low energy boost. For moderate energy boost, you would use 3B and a high energy boost can either be 8B or 1B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 6A or 5B will give you a low energy drop, 9B would be a moderate one, and 4B or 11B would be a high energy drop. Lastly, 3A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Pagliacci / Act 1: "Qual fiamma aveva nel guardo!" | Ruggero Leoncavallo, Mirella Freni, National Philharmonic Orchestra, Giuseppe Patanè | D Major | 1 | 10B | 172 BPM | ||
Adriana Lecouvreur / Act II: "Acerba voluttà, dolce tortura ... O vagabonda stella d'Oriente" | Francesco Cilea, Elina Garanca, Orquestra de la Comunitat Valenciana, Roberto Abbado | F Major | 2 | 7B | 177 BPM | ||
Trial by Jury: When First My Old, Old Love I Knew | Gilbert & Sullivan Society of Houston | D Major | 2 | 10B | 77 BPM | ||
Verdi: Aida, Act 1: "Ritorna vincitor!" (Aida) | Giuseppe Verdi, Riccardo Muti, New Philharmonia Orchestra | E♭ Minor | 1 | 2A | 80 BPM | ||
Cendrillon: Ah! Douce enfant | Jules Massenet, Philharmonia Orchestra, Julius Rudel | B Major | 0 | 1B | 91 BPM | ||
Gounod : Faust : Act 2 "Faites-lui mes aveux" [Siébel] | Charles Gounod, Carlo Rizzi, Welsh National Opera Orchestra | C Major | 0 | 8B | 151 BPM | ||
Rodgers / Arr. Kostal: Climb Ev'ry Mountain (From "The Sound of Music") | The John Wilson Orchestra, John Wilson | C Major | 3 | 8B | 104 BPM | ||
The Magic Flute, Act II: Pa-pa-ge-na!' - 'Pa-pa-ge-no! | Wolfgang Amadeus Mozart, Sir Charles Mackerras, London Philharmonic Orchestra, Simon Keenlyside, Leslie Garrett | C Major | 1 | 8B | 78 BPM | ||
Lucia di Lammermoor / Act 1: "Qui di sposa eterna...Ah! Verrano a te sull'aure" | Gaetano Donizetti, Dame Joan Sutherland, Luciano Pavarotti, Orchestra of the Royal Opera House, Covent Garden, Richard Bonynge | D Major | 0 | 10B | 171 BPM | ||
Carmina Burana / 2. In Taberna: "Estuans interius" | Carl Orff, John Shirley-Quirk, Royal Philharmonic Orchestra, Antal Doráti | A Minor | 3 | 8A | 87 BPM |
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