Robin Hood: Act I: Finale: May the saints protect - George Macfarren, Nicky Spence, George Hulbert, Louis Hurst, Andrew Mackenzie-Wicks, John Molloy, Alex Knox, Kay Jordan, Magdalen Ashman, John Powell Singers, Victorian Opera Chorus, Victorian Opera Orchestra, Ronald Corp Information

Acousticness: 99%
Danceability: 24%
Energy: 7%
Instrumentalness: 0%
Liveness: 9%
Loudness: 62%
Speechiness: 4%
Valence: 7%
Popularity: 0%
Loudness: -22.576 dB

Summary

"Robin Hood: Act I: Finale: May the saints protect" by George Macfarren, Nicky Spence, George Hulbert, Louis Hurst, Andrew Mackenzie-Wicks, John Molloy, Alex Knox, Kay Jordan, Magdalen Ashman, John Powell Singers, Victorian Opera Chorus, Victorian Opera Orchestra, Ronald Corp was released on October 4, 2011. Robin Hood: Act I: Finale: May the saints protect is about six minutes long, preciously at 6:10, making this song fairly long compared to other songs. The track order of this song in George Macfarren, Ronald Corp's "Macfarren: Robin Hood" album is number 10 out of 33. The popularity of Robin Hood: Act I: Finale: May the saints protect is currently unknown right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.

Robin Hood: Act I: Finale: May the saints protect BPM

We consider the tempo marking of Robin Hood: Act I: Finale: May the saints protect by George Macfarren, Nicky Spence, George Hulbert, Louis Hurst, Andrew Mackenzie-Wicks, John Molloy, Alex Knox, Kay Jordan, Magdalen Ashman, John Powell Singers, Victorian Opera Chorus, Victorian Opera Orchestra, Ronald Corp to be Vivace (lively and fast) because the track has a tempo of 161 BPM, a half-time of 80BPM, and a double-time of 322 BPM. Based on that, the speed of the song's tempo is fast. The time signature for this track is 4/4.

Robin Hood: Act I: Finale: May the saints protect Key

This song is in the music key of B♭ Major. This also means that this song has a camelot key of 6B. So, the perfect camelot match for 6B would be either 6B or 7A. While, 7B can give you a low energy boost. For moderate energy boost, you would use 3B and a high energy boost can either be 8B or 1B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 6A or 5B will give you a low energy drop, 9B would be a moderate one, and 4B or 11B would be a high energy drop. Lastly, 3A allows you to change the mood.

Recommendations

Track	Artist	Key	Energy	Camelot	BPM
Many That Are First Shall Be Last	Lyle Stutzman, Tapestry Chamber Singers	F♯ Major	1	2B	87 BPM
Gloriosa dicta sunt	Carl Martin Reinthaler, Vytautas Miskinis, Jugendkantorei Des Wurzener Domes, Johannes Dickert	D Major	1	10B	107 BPM
When All Thy Mercies	The Guilford Cathedral Choir	A♭ Major	2	4B	85 BPM
Missa Praeter rerum seriem: V. Benedictus	George de La Hèle, El León de Oro, Peter Phillips	G Major	2	9B	142 BPM
Mass in D Major, Op. 86, B. 153: IV. Sanctus	Antonín Dvořák, Priska Eser-Streit, Barbara Müller, Matthias Rettner, Thomas Hamberger, Harald Feller	D Major	2	10B	140 BPM
Second Antiphon - Arch. Matthew	St. Tikhon's Seminary & Monastery Choirs, Benedict Sheehan	G Major	1	9B	90 BPM
Passion Week, Op. 58: II. I See Thy Bridal Chamber	Alexander Gretchaninov, Phoenix Bach Choir, Kansas City Chorale, Charles Bruffy, Caroline Markham, Paul Davidson, Bryan Taylor	A♭ Minor	1	1A	70 BPM
Seraphim	Sumphonia	D Major	2	10B	132 BPM
Redhead 76 "Rock of Ages, Cleft for Me"	Richard Redhead, Choir of Keble College, Oxford, Mark Laflin, Gavin Plumley	E♭ Major	1	5B	77 BPM
Lille Almanak – Little Almanac 3	Finn Mathiassen, Harald Herdal, Jens Peter Jacobsen, Musikstuderendes Kammerkor	G Minor	0	6A	75 BPM

ISRC: This song does not have an ISRC.
Label: L-M Records/RCA Records

Section: 0.49787378311157227

End: 0.5015974044799805