Eric Schmidt, Jonathan Rosenberg, Christian Jungwirth made "Kapitel 62.3 & Kapitel 63.1 - Wie Google tickt - How Google Works" available on January 8, 2015. With this song being about 5 minutes long, at 4:59, "Kapitel 62.3 & Kapitel 63.1 - Wie Google tickt - How Google Works" by Eric Schmidt, Jonathan Rosenberg, Christian Jungwirth is fairly a long song compared to the average song length. This song does not have an "Explicit" tag, making it safe for all ages. This song is part of Wie Google tickt - How Google Works by Eric Schmidt, Jonathan Rosenberg. The song's track number on the album is #137 out of 208 tracks. Based on our data, Germany was the country where this track was produced or recorded. Kapitel 62.3 & Kapitel 63.1 - Wie Google tickt - How Google Works is unknown right now. Even with the track produces more of a neutral energy, it is pretty danceable compared to others.
Since Kapitel 62.3 & Kapitel 63.1 - Wie Google tickt - How Google Works by Eric Schmidt, Jonathan Rosenberg, Christian Jungwirth has a tempo of 77 beats per a minute, the tempo markings of this song would be Andante (at a walking pace). With Kapitel 62.3 & Kapitel 63.1 - Wie Google tickt - How Google Works being at 77 BPM, the half-time would be 38 BPM with a double-time of 154 BPM.In addition, we consider the tempo speed to be pretty slow for this song. The time signature for this track is 4/4.
D♭ Major is the music key of this track. Or for those who are familiar with the camelot wheel, this song has a camelot key of 3B. So, the perfect camelot match for 3B would be either 3B or 4A. While, 4B can give you a low energy boost. For moderate energy boost, you would use 12B and a high energy boost can either be 5B or 10B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 3A or 2B will give you a low energy drop, 6B would be a moderate one, and 1B or 8B would be a high energy drop. Lastly, 12A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Misatango, Misa a Buenos Aires: VIII. Crucifixus | MartÍn Palmeri, Chœur régional Vittoria d'Ile de France, Orchestre Pasdeloup, Michel Piquemal, Sophie Hanne, Gilberto Pereyra | C Minor | 2 | 5A | 92 BPM | ||
Messa di Gloria, Op.posth.: Kyrie: Kyrie eleison, Christe eleison | Giacomo Puccini, London Symphony Chorus, London Symphony Orchestra, Antonio Pappano | C Major | 1 | 8B | 65 BPM | ||
Bach, CPE: Magnificat in D Minor, Wq. 215: VIII. Gloria Patri | Carl Philipp Emanuel Bach, Geraint Jones, Geraint Jones Singers, Geraint Jones Orchestra | D Major | 4 | 10B | 121 BPM | ||
L'italiana in Algeri: Atto I. Coro: Quanta roba! Quanti schiavi! | Gioachino Rossini, La Cetra Vokalensemble Basel, José Coca Loza, Orchestra Of The 18th Century, Giancarlo Andretta | D Major | 3 | 10B | 95 BPM | ||
Carmina Burana, Pt. 1: No. 7, Floret silva nobilis | Carl Orff, Atlanta Symphony Orchestra, Robert Shaw | D Minor | 1 | 7A | 138 BPM | ||
Petite messe solennelle: O salutaris Hostia | Gioachino Rossini, Orchestre de chambre de Paris, Ottavio Dantone, Julia Lezhneva | G Major | 1 | 9B | 91 BPM | ||
Charpentier: Te Deum, H. 146: V. Te per orbem terrarum | Marc-Antoine Charpentier, Sir Neville Marriner, Academy of St. Martin in the Fields, Ann Murray, John Aler, Kurt Moll | D Major | 0 | 10B | 87 BPM | ||
Magnificat in D Major, BWV 243: I. Magnificat anima mea Dominum | Johann Sebastian Bach, Collegium Vocale Gent, La Chapelle Royale, Philippe Herreweghe | A Minor | 2 | 8A | 137 BPM | ||
Requiem, Op. 48: 7. In paradisum | Gabriel Fauré, L'union Chorale De La Tour De Peilz, Orchestre de la Suisse Romande, Ernest Ansermet, Eric Schmidt | A♭ Major | 10 | 4B | 154 BPM | ||
Misatango, Misa a Buenos Aires: I. Kyrie | MartÍn Palmeri, Chœur régional Vittoria d'Ile de France, Orchestre Pasdeloup, Michel Piquemal, Sophie Hanne, Gilberto Pereyra | C Minor | 2 | 5A | 90 BPM |
Section: 0.8957042694091797
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