- BPM
- 129
- Key
- A Minor
- Camelot
- 8A
Bach, JS : Well-Tempered Clavier Book 2 : Prelude No.24 in B minor BWV893 - Daniel Barenboim Information
- Acousticness
- 99%
- Danceability
- 35%
- Energy
- 1%
- Instrumentalness
- 90%
- Liveness
- 6%
- Loudness
- 36%
- Speechiness
- 6%
- Valence
- 14%
- Popularity
- 15%
- Loudness
- -38.262 dB
Summary
"Bach, JS : Well-Tempered Clavier Book 2 : Prelude No.24 in B minor BWV893" by Daniel Barenboim was released on 2004. The duration of Bach, JS : Well-Tempered Clavier Book 2 : Prelude No.24 in B minor BWV893 is about two minutes long, specifically at 2:33. This song does not appear to have any foul language. Bach, JS : Well-Tempered Clavier Book 2 : Prelude No.24 in B minor BWV893's duration is considered a little bit shorter than the average duration of a typical track. The song is number 95 out of 96 in Bach, JS : Well-Tempered Clavier Books 1 & 2 by Daniel Barenboim. Going off of the ISRC code of this track, we detected that the origin of this track is from United Kingdom. Based on our statistics, Bach, JS : Well-Tempered Clavier Book 2 : Prelude No.24 in B minor BWV893's popularity is not that popular right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
Bach, JS : Well-Tempered Clavier Book 2 : Prelude No.24 in B minor BWV893 BPM
The tempo marking of Bach, JS : Well-Tempered Clavier Book 2 : Prelude No.24 in B minor BWV893 by Daniel Barenboim is Allegro (fast, quick, and bright), since this song has a tempo of 129 BPM. With that information, we can conclude that the song has a fast tempo. This song can go great with walking. The time signature for this track is 3/4.
Bach, JS : Well-Tempered Clavier Book 2 : Prelude No.24 in B minor BWV893 Key
A Minor is the music key of this track. Because this track belongs in the A Minor key, the camelot key is 8A. So, the perfect camelot match for 8A would be either 8A or 7B. While, a low energy boost can consist of either 8B or 9A. For moderate energy boost, you would use 5A and a high energy boost can either be 10A or 3A. However, if you are looking for a low energy drop, finding a song with a camelot key of 7A would be a great choice. Where 11A would give you a moderate drop, and 6A or 1A would be a high energy drop. Lastly, 11B allows you to change the mood.
Recommendations
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
 | Sonata in E Minor (Allegrissimo), Kk. 98 | Domenico Scarlatti, Ivo Pogorelich | E Minor | 0 | 9A | 84 BPM | |
 | Suite en ré: Les niais de Sologne | Jean-Philippe Rameau, Natacha Kudritskaya | E Major | 2 | 12B | 103 BPM | |
 | 6 Consolations, S. 172: No. 6 in E Major (Allegretto, sempre cantabile) | Franz Liszt, Daniel Barenboim | E Major | 0 | 12B | 72 BPM | |
 | Concerto Grosso In F Major, Op. 6, No. 9: III. Corrente: Vivace | Arcangelo Corelli, Daniela Ruso, Quido Holbling, Ludovit Kanta, Anna Holbling, Capella Istropolitana | F Major | 2 | 7B | 198 BPM | |
 | Concerto Grosso No. 3 in F Major: IV. Largo | Alessandro Scarlatti, Capella Istropolitana, Jaroslav Krcek | D Minor | 1 | 7A | 167 BPM | |
 | Overture (Suite) In G Minor, TWV 55: G4: I. Ouverture: Grave. Allegro. Grave | Cologne Chamber Orchestra, Georg Philipp Telemann | G Minor | 2 | 6A | 115 BPM | |
 | Concerto Grosso in D Major, Op. 1, No. 5: I. Largo | Pietro Locatelli, Capella Istropolitana, Jaroslav Krcek | D Major | 1 | 10B | 119 BPM | |
 | Suite in G minor: VII. Rigaudon (Arr. A. Camden) | George Frideric Handel, Anthony Camden, Julia Girdwood, City of London Sinfonia, Nicholas Ward | C Minor | 1 | 5A | 118 BPM | |
 | Les Rozeaux (13e ordre) | François Couperin, Alexandre Tharaud | B Minor | 1 | 10A | 67 BPM | |
 | Symphony No. 1 in B-Flat Major, Op. 2, "New Year Ode": I. Allegro | William Boyce, Aradia Ensemble, Kevin Mallon | A Major | 1 | 11B | 86 BPM |
- ISRC
- GBELP0500187
- Label
- L-M Records/RCA Records
Section: 0.5575671195983887
End: 0.561957836151123