"A Lambeth Garland: I. The Lambeth Waltz" by Penelope Thwaites, Benjamin Frith was released on July 21, 2023. With A Lambeth Garland: I. The Lambeth Waltz being less than two minutes long, at 1:43, we are fairly confident that this song is not explicit and is safe for all ages. Based on the duration of this song, this song duration is much smaller than the average song duration. The track order of this song in Penelope Thwaites, Benjamin Frith, Tippett Quartet's "Gardens, Fables, Prisons, Dreams" album is number 2 out of 20. On top of that, United Kingdom appears to be the country where this track was created. Based on our statistics, A Lambeth Garland: I. The Lambeth Waltz's popularity is unknown right now. Although the tone can be danceable to some, this track does projects more of a negative sound rather than a postive one.
We consider the tempo marking of A Lambeth Garland: I. The Lambeth Waltz by Penelope Thwaites, Benjamin Frith to be Allegro (fast, quick, and bright) because the track has a tempo of 133 BPM, a half-time of 66BPM, and a double-time of 266 BPM. Based on that, the speed of the song's tempo is fast. Activities such as, walking, can go well with this song. The time signature for this track is 3/4.
This song has a musical key of D Major. This also means that this song has a camelot key of 10B. So, the perfect camelot match for 10B would be either 10B or 11A. While, 11B can give you a low energy boost. For moderate energy boost, you would use 7B and a high energy boost can either be 12B or 5B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 10A or 9B will give you a low energy drop, 1B would be a moderate one, and 8B or 3B would be a high energy drop. Lastly, 7A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
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Lieder ohne Worte I, Op. 19b: No. 6 in G Minor, Andante sostenuto "Venetianisches Gondellied", MWV U78 | Felix Mendelssohn, Howard Shelley | G Minor | 0 | 6A | 65 BPM | ||
Ride! Ride!: Overture | Penelope Thwaites, Robert Manasse, Dov Goldberg, Brian Hill, Roy Babbington, Peter Cater | G Minor | 1 | 6A | 81 BPM | ||
Myrthen, Op. 25: No. 1, Widmung (Arr. C. Schumann for Solo Piano) | Robert Schumann, Mari Kodama | A♭ Major | 0 | 4B | 70 BPM | ||
Norwegian Peasant Dances, Op. 72: No. 16, Kivlemøyane. Springdans. Introduction. Allegro moderato | Edvard Grieg, Rune Alver | F Major | 0 | 7B | 87 BPM | ||
Risonanze: 3. Non troppo mosso | Gian Francesco Malipiero, Gianluca Cascioli | D Minor | 1 | 7A | 73 BPM | ||
Trois études poétiques, Op. 32: I. Étude poétique | Signe Lund, Rune Alver | C Major | 0 | 8B | 64 BPM | ||
The Seasons, Op. 37a: VIII. August. La moisson. Allegro vivace | Pyotr Ilyich Tchaikovsky, Pavel Kolesnikov | F Major | 1 | 7B | 118 BPM | ||
Myrthen, Op. 25: No. 24 - Du bist wie eine Blume | Robert Schumann, Pablo Ferrandez, Julien Quentin | A♭ Major | 1 | 4B | 109 BPM | ||
Sonate Op. 64: III. Adagio | Mel Bonis, Juliette Hurel, Hélène Couvert | D♭ Major | 0 | 3B | 90 BPM | ||
Variations sur un thème de Chopin: IV. Variation III. Lento [for the left hand] | Federico Mompou, Marina Staneva | E♭ Major | 0 | 5B | 69 BPM |
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