"6 Lieder, Op. 1: No. 3, Warum sind denn die Rosen so blass? (Arr. for Soprano and Orchestra by Tal-Haim Samnon)" by Fanny Mendelssohn, Chen Reiss, Daniel Grossmann, Jewish Chamber Orchestra Munich was released on February 25, 2022. The duration of 6 Lieder, Op. 1: No. 3, Warum sind denn die Rosen so blass? (Arr. for Soprano and Orchestra by Tal-Haim Samnon) is about two minutes long, specifically at 2:11. This song does not appear to have any foul language. 6 Lieder, Op. 1: No. 3, Warum sind denn die Rosen so blass? (Arr. for Soprano and Orchestra by Tal-Haim Samnon)'s duration is considered a little bit shorter than the average duration of a typical track. The song is number 9 out of 13 in Fanny Mendelssohn Hensel & Felix Mendelssohn: Arias, Lieder, Overtures by Fanny Mendelssohn, Chen Reiss, Daniel Grossmann, Jewish Chamber Orchestra Munich. Going off of the ISRC code of this track, we detected that the origin of this track is from United Kingdom. 6 Lieder, Op. 1: No. 3, Warum sind denn die Rosen so blass? (Arr. for Soprano and Orchestra by Tal-Haim Samnon) is not that popular right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
The tempo marking of 6 Lieder, Op. 1: No. 3, Warum sind denn die Rosen so blass? (Arr. for Soprano and Orchestra by Tal-Haim Samnon) by Fanny Mendelssohn, Chen Reiss, Daniel Grossmann, Jewish Chamber Orchestra Munich is Adagio (slowly with great expression), since this song has a tempo of 75 BPM. With that information, we can conclude that the song has a slow tempo. The time signature for this track is 4/4.
F Major is the music key of this track. This also means that this song has a camelot key of 7B. So, the perfect camelot match for 7B would be either 7B or 8A. While, 8B can give you a low energy boost. For moderate energy boost, you would use 4B and a high energy boost can either be 9B or 2B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 7A or 6B will give you a low energy drop, 10B would be a moderate one, and 5B or 12B would be a high energy drop. Lastly, 4A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
6 Violin Sonatas, Op. 10b No. 3 in D Minor, J. 101: I. Air Russe: Allegretto moderato | Carl Maria von Weber, Nino Gvetadze, Frederieke Saeijs | D Minor | 1 | 7A | 112 BPM | ||
Franck: Prélude, fugue et variation, Op. 18, FWV 30: Prélude | César Franck, Aldo Ciccolini | B Minor | 0 | 10A | 127 BPM | ||
Children's Album No. 1 "Pictures of Childhood": No. 5, Etude | Aram Khachaturian, Charlene Farrugia | A♭ Major | 1 | 4B | 85 BPM | ||
Dido and Aeneas, Z. 626 / Act III: "When I Am Laid in Earth" Dido's Lamento (Arr. by Mathieu Herzog for Cello and Strings) | Henry Purcell, Camille Thomas, Brussels Philharmonic, Mathieu Herzog | G Minor | 1 | 6A | 77 BPM | ||
Images I, L. 110: 1. Reflets dans l'eau | Claude Debussy, Seong-Jin Cho | D♭ Major | 0 | 3B | 67 BPM | ||
Keyboard Sonata in A Major, Wq. 54/6, H. 207: I. Allegro di molto | Carl Philipp Emanuel Bach, Ana-Marija Markovina | A Major | 1 | 11B | 0 BPM | ||
Lyric Pieces, Book 1, Op. 12: I. Arietta | Edvard Grieg, Javier Perianes | B♭ Major | 0 | 6B | 72 BPM | ||
Capriol Suite: 5. Pied-en- l'air | Peter Warlock, Academy of St. Martin in the Fields, Nicholas Kraemer, Sir Neville Marriner | G Major | 1 | 9B | 113 BPM | ||
6 Impromptus, Op. 5: Impromptu VI | Jean Sibelius, Leif Ove Andsnes | E Major | 0 | 12B | 62 BPM | ||
4 Pieces, Op. 51: 4. Danse languide | Alexander Scriabin, Evgeny Kissin | E♭ Major | 0 | 5B | 74 BPM |
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