""West Side Story" - Symphonic Dances: 7. Cool Fugue" by Leonard Bernstein, Baltimore Symphony Orchestra, David Zinman was released on January 1, 1997. With this song being around four minutes long, at 3:37, the duration of this song is pretty average compared to other songs. This track is safe for children and doesn't appear to contain any foul language, since the "Explicit" tag was not present in this track. The song is number 8 out of 20 in Bernstein: West Side Story Symphonic Dances; Facsimile; Fancy Free; Candide Overture by Leonard Bernstein, Baltimore Symphony Orchestra, David Zinman. Going off of the ISRC code of this track, we detected that the origin of this track is from United Kingdom. "West Side Story" - Symphonic Dances: 7. Cool Fugue is unknown right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
The tempo marking of "West Side Story" - Symphonic Dances: 7. Cool Fugue by Leonard Bernstein, Baltimore Symphony Orchestra, David Zinman is Andante (at a walking pace), since this song has a tempo of 89 BPM. With that information, we can conclude that the song has a slow tempo. This song can go great with yoga or pilates. The time signature for this track is 3/4.
This song is in the music key of F Major. This also means that this song has a camelot key of 7B. So, the perfect camelot match for 7B would be either 7B or 8A. While, 8B can give you a low energy boost. For moderate energy boost, you would use 4B and a high energy boost can either be 9B or 2B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 7A or 6B will give you a low energy drop, 10B would be a moderate one, and 5B or 12B would be a high energy drop. Lastly, 4A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Le Villi: La Tregenda | Giacomo Puccini, Thomas Harper, Slovak Radio Symphony Orchestra, Michael Halasz | C Minor | 3 | 5A | 123 BPM | ||
Prince Igor: Polovtsian Dances (Remastered): No. 8, Dance of the Polovtsian Maidens | Alexander Borodin, Leonard Bernstein, New York Philharmonic | F Major | 2 | 7B | 99 BPM | ||
Ma mère l'oye, M. 62: Apothéose: Le jardin féerique. Lent et grave | Maurice Ravel, Berliner Philharmoniker, Pierre Boulez | C Major | 0 | 8B | 83 BPM | ||
Poet and Peasant: Overture | Franz von Suppé, Detroit Symphony Orchestra, Paul Paray | A Major | 3 | 11B | 81 BPM | ||
The Planets, Op. 32: VI. Uranus, the Magician | Gustav Holst, London Symphony Orchestra, Sir Colin Davis | C Major | 2 | 8B | 115 BPM | ||
Peter and the Wolf, Op. 67 (Without Narration): Andantino, come prima - Meno mosso | Sergei Prokofiev, Leonard Bernstein, New York Philharmonic | C Major | 1 | 8B | 95 BPM | ||
On the Town, Act 1: Lonely Town. Pas de deux | Leonard Bernstein, Alison Balsom, Scott Stroman, Britten Sinfonia | E Major | 2 | 12B | 89 BPM | ||
Tristan und Isolde, WWV 90: Prelude to Act 1. Langsam und smachtend - Live | Richard Wagner, Bavarian Radio Symphony Orchestra, Leonard Bernstein | C Major | 1 | 8B | 77 BPM | ||
Symphony No. 2: II. Allegro molto | Sergei Rachmaninoff, Valery Gergiev, London Symphony Orchestra | F Major | 1 | 7B | 146 BPM | ||
Horn Concertino in E Minor, Op. 45, J. 188: III. Polacca | Carl Maria von Weber, Czech Philharmonic Orchestra, Václav Neumann, Zdeněk Tylšar | E Major | 1 | 12B | 109 BPM |
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