"Don Giovanni, K.527, Act II, Scena seconda: Sola, sola in buio loco" by Wiener Philharmoniker, Carol Vaness, Cheryl Studer, William Shimell, Jan-Hendrik Rootering, Samuel Ramey, Riccardo Muti, Suzanne Mentzer, Frank Lopardo, Konzertvereinigung der Wiener Staatsopernchor, Natale de Carolis was released on August 2, 2013. With this song being about 5 minutes long, at 4:52, "Don Giovanni, K.527, Act II, Scena seconda: Sola, sola in buio loco" by Wiener Philharmoniker, Carol Vaness, Cheryl Studer, William Shimell, Jan-Hendrik Rootering, Samuel Ramey, Riccardo Muti, Suzanne Mentzer, Frank Lopardo, Konzertvereinigung der Wiener Staatsopernchor, Natale de Carolis is fairly a long song compared to the average song length. This song does not have an "Explicit" tag, making it safe for all ages. The track order of this song in Riccardo Muti's "Mozart: The Da Ponte Operas" album is number 27 out of 214. In terms of popularity, Don Giovanni, K.527, Act II, Scena seconda: Sola, sola in buio loco is currently unknown. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
We consider the tempo marking of Don Giovanni, K.527, Act II, Scena seconda: Sola, sola in buio loco by Wiener Philharmoniker, Carol Vaness, Cheryl Studer, William Shimell, Jan-Hendrik Rootering, Samuel Ramey, Riccardo Muti, Suzanne Mentzer, Frank Lopardo, Konzertvereinigung der Wiener Staatsopernchor, Natale de Carolis to be Moderato (at a moderate speed) because the track has a tempo of 110 BPM, a half-time of 55BPM, and a double-time of 220 BPM. Based on that, the speed of the song's tempo is moderate. The time signature for this track is 4/4.
The music key of this track is C Minor. Because this track belongs in the C Minor key, the camelot key is 5A. So, the perfect camelot match for 5A would be either 5A or 4B. While, a low energy boost can consist of either 5B or 6A. For moderate energy boost, you would use 2A and a high energy boost can either be 7A or 12A. However, if you are looking for a low energy drop, finding a song with a camelot key of 4A would be a great choice. Where 8A would give you a moderate drop, and 3A or 10A would be a high energy drop. Lastly, 8B allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Die Walküre / Dritter Aufzug: "Nicht sehre dich Sorge um mich" | Richard Wagner, Régine Crespin, Birgit Nilsson, Brigitte Fassbaender, Helga Dernesch, Berit Lindholm, Vera Schlosser, Vera Little, Helen Watts, Claudia Hellmann, Marilyn Tyler, Wiener Philharmoniker, Sir Georg Solti | G Major | 2 | 9B | 77 BPM | ||
Die Fledermaus / Act 2: Nr.8 Ensemble und Couplet: "Ach, meine Herr'n und Damen" | Johann Strauss II, Erika Köth, Regina Resnik, Walter Berry, Waldemar Kmentt, Vienna State Opera Chorus, Wiener Philharmoniker, Herbert von Karajan | G Major | 1 | 9B | 88 BPM | ||
Verdi: Aida, Act 4, Scene 2: "La fatal pietra sovra me si chiuse" (Radamès, Aida) | Giuseppe Verdi, Riccardo Muti, Montserrat Caballé, Plácido Domingo, New Philharmonia Orchestra | C Major | 3 | 8B | 136 BPM | ||
Le Nozze Di Figaro (The Marriage Of Figaro), K. 492: Act IV Scene 8: Recitativo - Tutto E Disposto | Donato Di Stefano, Patrizia Pace, Maria Pia Ionata, Jozsef Mukk, Hungarian State Opera Orchestra, Roberto Frontali, Ingrid Kertesi, Natale de Carolis, Wolfgang Amadeus Mozart, Lorenzo Da Ponte | B♭ Major | 1 | 6B | 171 BPM | ||
Ch'io mi scordi di te... Non temer, amato bene, K.505 - (Varesco): Ch'io mi scordi di te? | Wolfgang Amadeus Mozart, Mojca Erdmann, Hélène Grimaud, Chamber Orchestra of the Bavarian Radio, Radoslaw Szulc | C Minor | 0 | 5A | 82 BPM | ||
Le nozze di Figaro, K. 492 / Act 3: "E Susanna non vien...Dove sono i biei momenti...Io" | Wolfgang Amadeus Mozart, Kiri Te Kanawa, Giorgio Tadeo, Thomas Allen, London Philharmonic Orchestra, Sir Georg Solti | C Major | 1 | 8B | 126 BPM | ||
La traviata / Act 2: "Lunge da lei" - "De' miei bollenti spiriti" | Giuseppe Verdi, Rolando Villazón, Wiener Philharmoniker, Carlo Rizzi | A♭ Major | 1 | 4B | 88 BPM | ||
Le nozze di Figaro, K. 492 / Act 4: "Gente, gente, all'armi" | Wolfgang Amadeus Mozart, London Philharmonic Orchestra, Sir Georg Solti, Thomas Allen, Samuel Ramey, Philip Langridge, Robert Tear, Giorgio Tadeo, Kurt Moll, Lucia Popp, Kiri Te Kanawa | G Major | 2 | 9B | 73 BPM | ||
Die Walküre / Dritter Aufzug: "Hier bin ich, Vater" | Richard Wagner, Birgit Nilsson, Hans Hotter, Wiener Philharmoniker, Sir Georg Solti | F Major | 1 | 7B | 125 BPM | ||
Le Nozze Di Figaro (The Marriage Of Figaro), K. 492: Act III Scene 5: Sestetto - Riconosci In Questo Amplesso | Donato Di Stefano, Hungarian State Opera Orchestra, Patrizia Pace, Jozsef Mukk, Maria Pia Ionata, Ingrid Kertesi, Natale de Carolis, Roberto Frontali, Wolfgang Amadeus Mozart, Lorenzo Da Ponte | C Major | 2 | 8B | 86 BPM |
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