Ludwig van Beethoven, Jenő Jandó made "Piano Sonata No. 20 in G Major, Op. 49, No. 2: II. Tempo di Menuetto" available on December 15, 1988. The duration of Piano Sonata No. 20 in G Major, Op. 49, No. 2: II. Tempo di Menuetto is about 3 minutes long, at 3:07. Based on our data, "Piano Sonata No. 20 in G Major, Op. 49, No. 2: II. Tempo di Menuetto" appears to be safe for all ages and is not considered explicit. This track is about the average length of a typical track. The song is number 8 out of 14 in Beethoven: Piano Sonatas Nos. 4, 13, 22 and 19-20, Op. 49 by Ludwig van Beethoven. Going off of the ISRC code of this track, we detected that the origin of this track is from Hong Kong. Piano Sonata No. 20 in G Major, Op. 49, No. 2: II. Tempo di Menuetto is not that popular right now. Even with the track produces more of a neutral energy, it is pretty danceable compared to others.
The tempo marking of Piano Sonata No. 20 in G Major, Op. 49, No. 2: II. Tempo di Menuetto by Ludwig van Beethoven, Jenő Jandó is Adagio (slowly with great expression), since this song has a tempo of 75 BPM. With that information, we can conclude that the song has a slow tempo. The time signature for this track is 3/4.
This song is in the music key of D♭ Minor. This also means that this song has a camelot key of 12A. So, the perfect camelot match for 12A would be either 12A or 11B. While, a low energy boost can consist of either 12B or 1A. For moderate energy boost, you would use 9A and a high energy boost can either be 2A or 7A. However, if you are looking for a low energy drop, finding a song with a camelot key of 11A would be a great choice. Where 3A would give you a moderate drop, and 10A or 5A would be a high energy drop. Lastly, 3B allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Violin Concerto No. 2 in A Major, Op. 5: II. Largo | Joseph Boulogne Chevalier de Saint-Georges, Anne-Sophie Mutter, Mutter's Virtuosi | D Minor | 1 | 7A | 104 BPM | ||
25 Études faciles et progressives, Op. 100: No. 3, La pastorale | Franz Burgmüller, Carl Petersson | G Major | 1 | 9B | 106 BPM | ||
24 Preludes & Fugues, Op. 87: No. 7a, Prelude in A Major | Dmitri Shostakovich, Tatiana Nikolayeva | A Major | 0 | 11B | 85 BPM | ||
24 Preludes & Fugues, Op. 87: Prelude no.13 in F sharp minor. Moderato con moto | Dmitri Shostakovich, Alexander Melnikov | F♯ Major | 0 | 2B | 72 BPM | ||
Septet in E-Flat Major, Op. 20: III. Tempo di menuetto | Ludwig van Beethoven, József Balogh, Jozsef Vajda, Jeno Kevehazi, Ildiko Hegyi, Gyözö Máthé, Péter Szabó, Istvan Toth | E♭ Major | 1 | 5B | 120 BPM | ||
Mazurka No. 54 in D: Allegro non troppo | Frédéric Chopin, Tamás Vásáry | D Major | 0 | 10B | 66 BPM | ||
Fantasia And Fugue In A Minor, BWV 904 : Fugue | Janos Sebestyen, Johann Sebastian Bach | A Minor | 3 | 8A | 132 BPM | ||
String Quartet, " La Chasse " , No. 1 in B-Flat Major, op. 1: I. Presto | Caspar Da Salo Quartet | F Major | 1 | 7B | 82 BPM | ||
Piano Sonata No. 5 In C Minor, Op. 10, No. 1: 3. Finale (Prestissimo) | Ludwig van Beethoven, Daniel Barenboim | E♭ Major | 1 | 5B | 87 BPM | ||
Rage Over A Lost Penny, Op. 129 | Valentina Lisitsa | G Major | 2 | 9B | 80 BPM |
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