24 Preludes & Fugues, Op. 87: No. 7a, Prelude in A Major
Dmitri Shostakovich, Tatiana Nikolayeva
Shostakovich: 24 Preludes & Fugues, Op. 87
1:20 February 1, 1991
BPM
85
Key
A Major
Camelot
11B

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24 Preludes & Fugues, Op. 87: No. 7a, Prelude in A Major - Dmitri Shostakovich, Tatiana Nikolayeva Information

Acousticness
99%
Danceability
38%
Energy
3%
Instrumentalness
88%
Liveness
14%
Loudness
45%
Speechiness
4%
Valence
20%
Popularity
Loudness
-33.007 dB

Summary

Dmitri Shostakovich, Tatiana Nikolayeva's '24 Preludes & Fugues, Op. 87: No. 7a, Prelude in A Major' came out on February 1, 1991. With 24 Preludes & Fugues, Op. 87: No. 7a, Prelude in A Major being less than two minutes long, at 1:20, we are fairly confident that this song is not explicit and is safe for all ages. Based on the duration of this song, this song duration is much smaller than the average song duration. There are a total of 48 in the song's album "Shostakovich: 24 Preludes & Fugues, Op. 87". In this album, this song's track order is #13. Furthermore, we believe that the track originated from United Kingdom. 24 Preludes & Fugues, Op. 87: No. 7a, Prelude in A Major is not that popular right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.

24 Preludes & Fugues, Op. 87: No. 7a, Prelude in A Major BPM

With 24 Preludes & Fugues, Op. 87: No. 7a, Prelude in A Major by Dmitri Shostakovich, Tatiana Nikolayeva having a BPM of 85 with a half-time of 42 BPM and a double-time of 170 BPM, we would consider this track to have a Andante (at a walking pace) tempo marking. Because of this, we believe that the song has an overall slow tempo. Looking at the BPM of this song, this song might go great with yoga or pilates. The time signature for this track is 4/4.

24 Preludes & Fugues, Op. 87: No. 7a, Prelude in A Major Key

A Major is the music key of this track. Or for those who are familiar with the camelot wheel, this song has a camelot key of 11B. So, the perfect camelot match for 11B would be either 11B or 12A. While, 12B can give you a low energy boost. For moderate energy boost, you would use 8B and a high energy boost can either be 1B or 6B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 11A or 10B will give you a low energy drop, 2B would be a moderate one, and 9B or 4B would be a high energy drop. Lastly, 8A allows you to change the mood.

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ISRC
GBAJY9144113
Label
L-M Records/RCA Records

Section: 0.6893928050994873

End: 0.6954293251037598