Pieter Jan Leusink, Peter Frankenberg, Johann Sebastian Bach, Sytse Buwalda, Holland Boys Choir; Netherlands Bach Collegium, Ofer Frenkel, Ruth Holton, Nico Van Der Meel made "II. Es Wartet Alles Auf Dich BWV 187, Prima Parte, (1) Coro: Es Wartet Alles Auf Dich" available on December 20, 2006. II. Es Wartet Alles Auf Dich BWV 187, Prima Parte, (1) Coro: Es Wartet Alles Auf Dich is about six minutes long, preciously at 6:22, making this song fairly long compared to other songs. The song is number 7 out of 19 in Bach Cantatas (Complete) Part: 40 by Pieter Jan Leusink. II. Es Wartet Alles Auf Dich BWV 187, Prima Parte, (1) Coro: Es Wartet Alles Auf Dich is unknown right now. Since there is more of a neutral sound being played, this makes the track somewhat danceable.
The tempo marking of II. Es Wartet Alles Auf Dich BWV 187, Prima Parte, (1) Coro: Es Wartet Alles Auf Dich by Pieter Jan Leusink, Peter Frankenberg, Johann Sebastian Bach, Sytse Buwalda, Holland Boys Choir; Netherlands Bach Collegium, Ofer Frenkel, Ruth Holton, Nico Van Der Meel is Andante (at a walking pace), since this song has a tempo of 79 BPM. With that information, we can conclude that the song has a slow tempo. The time signature for this track is 4/4.
This song has a musical key of F♯ Minor. This also means that this song has a camelot key of 11A. So, the perfect camelot match for 11A would be either 11A or 10B. While, a low energy boost can consist of either 11B or 12A. For moderate energy boost, you would use 8A and a high energy boost can either be 1A or 6A. However, if you are looking for a low energy drop, finding a song with a camelot key of 10A would be a great choice. Where 2A would give you a moderate drop, and 9A or 4A would be a high energy drop. Lastly, 2B allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
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III. Ich Elender Mensch, Wer Wird Mich Erlösen BWV 48, For The 19th Sunday After Trinity, Am 19. Sonntag Nach Trinitatis: Recitativo (Alto), O Schmerz, O Elend | Pieter Jan Leusink, Louis Van Emmerik, Marjon Strijk, Bas Ramselaar, Susan Williams, Holland Boys Choir, Netherlands Bach Collegium, Amsterdam Classics B.V., Jean Van Vugt, Johann Sebastian Bach, Sytse Buwalda, Marcel Beekman | B Minor | 1 | 10A | 126 BPM | ||
Te Deum: IV. Patrem immensae maiestatis | Giovanni Bononcini, Owen Rees, The Choir of The Queen's College Oxford, Academy of Ancient Music | B Minor | 2 | 10A | 71 BPM | ||
Sonata a 7 for 2 Trumpets in D Major: I. Grave | Petronio Franceschini, Niklas Eklund, Jeffrey Segal, Wasa Baroque Ensemble, Edward H. Tarr | E Minor | 1 | 9A | 66 BPM | ||
Brockes-Passion, TWV 5:1, Teil I: No. 9, Choral "Ach, wie hungert mein Gemüte" | Georg Philipp Telemann, RIAS Kammerchor, Akademie für Alte Musik Berlin, René Jacobs | A Major | 1 | 11B | 81 BPM | ||
8 Pieces for Flute and Organ: No. 4. Flute Piece (after W. Hine) | Richard Slater, Dominic Trumfio, Kelly Dobbs Mickus | D Minor | 1 | 7A | 70 BPM | ||
Pastorale for Organ, Op. 23 No. 5 - Live | Martin K. Schubert | B♭ Major | 0 | 6B | 68 BPM | ||
Les Indes galantes, RCT 44: Gavotte vive pour les fleurs - Arr. for Organ and Soprano by Edward Higginbottom | Jean-Philippe Rameau, Edward Higginbottom | D Major | 1 | 10B | 68 BPM | ||
Dixit Dominus, ZWV 66: De torrente - After Psalm 109 | Jan Dismas Zelenka, Adam Viktora, Inégal Ensemble, Prague Baroque Solists | A Minor | 2 | 8A | 127 BPM | ||
Petite messe solennelle: X. Gloria. Cum Sancto Spiritu | Gioachino Rossini, Giulio Prandi, Coro Ghislieri, Francesco Corti, Cristiano Gaudio, Deniel Perer | E Minor | 0 | 9A | 68 BPM | ||
Sacrum, R.586 - rev. Franz Giegling: 2b Gloria: (Adagio) Et in terra pax | Antonio Vivaldi, Anthony Rolfe Johnson, John Alldis Choir, English Chamber Orchestra, Vittorio Negri, Olga Hegedus, Adrian Beers, John Constable | A Minor | 1 | 8A | 78 BPM |
Section: 0.5488770008087158
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