Heitor Villa-Lobos, Norbert Kraft's '12 Etudes: No. 5 Andantino' came out on October 20, 2000. With 12 Etudes: No. 5 Andantino being less than two minutes long, at 1:56, we are fairly confident that this song is not explicit and is safe for all ages. Based on the duration of this song, this song duration is much smaller than the average song duration. This song is part of Villa-Lobos: Music for Solo Guitar (Complete) by Heitor Villa-Lobos, Norbert Kraft. The song's track number on the album is #11 out of 23 tracks. Based on our data, Hong Kong was the country where this track was produced or recorded. 12 Etudes: No. 5 Andantino is not that popular right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
Since 12 Etudes: No. 5 Andantino by Heitor Villa-Lobos, Norbert Kraft has a tempo of 84 beats per a minute, the tempo markings of this song would be Andante (at a walking pace). With 12 Etudes: No. 5 Andantino being at 84 BPM, the half-time would be 42 BPM with a double-time of 168 BPM.In addition, we consider the tempo speed to be pretty slow for this song. The time signature for this track is 4/4.
This song is in the music key of D Major. Or for those who are familiar with the camelot wheel, this song has a camelot key of 10B. So, the perfect camelot match for 10B would be either 10B or 11A. While, 11B can give you a low energy boost. For moderate energy boost, you would use 7B and a high energy boost can either be 12B or 5B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 10A or 9B will give you a low energy drop, 1B would be a moderate one, and 8B or 3B would be a high energy drop. Lastly, 7A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Bachianas brasileiras No. 1: II. Preludio: Modinha | Heitor Villa-Lobos, Nashville Symphony Orchestra Cellos, Andrew Mogrelia | D Minor | 0 | 7A | 82 BPM | ||
Valses poeticos (arr. Peter Breiner): Valse 3. Tempo de Vals lento | Peter Breiner, Enrique Granados, Norbert Kraft, Polish National Radio Symphony Orchestra | E Minor | 2 | 9A | 100 BPM | ||
Renaissance, Book 2: Sarabande (Lully) | Leopold Godowsky, Konstantin Scherbakov | E Minor | 0 | 9A | 94 BPM | ||
Romanza in Am | Niccolò Paganini, Niklas Johansen | A Minor | 0 | 8A | 79 BPM | ||
Norske folkeviser og folkedanse, Op. 33 (Excerpts): No. 6, Springdans | Agathe Backer Grøndahl, Sara Aimée Smiseth | A Major | 1 | 11B | 73 BPM | ||
Simple Symphony, Op. 4: III. Sentimental Sarabande | Benjamin Britten, Camerata Nordica, Terje Tonnesen | G Minor | 0 | 6A | 85 BPM | ||
Bachianas brasileiras No. 7: IV. Fuga: Conversa (Conversation) | Heitor Villa-Lobos, Nashville Symphony Orchestra, Kenneth Schermerhorn | E Minor | 1 | 9A | 83 BPM | ||
Sadko: Hindoo Song (Song of India) | Nikolai Rimsky-Korsakov, Gil Shaham, Akira Eguchi | C Major | 0 | 8B | 176 BPM | ||
Lyric Pieces Book I, Op. 12: No. 7 Album Leaf | Edvard Grieg, Alice Sara Ott | D Major | 2 | 10B | 121 BPM | ||
Apariciones: Valses Romanticos: Sensitive | Enrique Granados, Douglas Riva | C Minor | 0 | 5A | 143 BPM |
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