Nicol Matt, Johann Sebastian Bach, Nordic Chamber Choir, Jörg Halobek, Heike Hümmer, Jens Wollenschläger, Martina Rotbauer, Soloists Of The Freiburger Barockorchester, Ute Petersilge, Robert Sagasser made "Freu Dich Sehr, O Meine Seele, Cantate Bwv 70" available on March 28, 2007. With Freu Dich Sehr, O Meine Seele, Cantate Bwv 70 being less than two minutes long, at 1:41, we are fairly confident that this song is not explicit and is safe for all ages. Based on the duration of this song, this song duration is much smaller than the average song duration. The song is number 51 out of 201 in Bach Edition Vol. 23, Chor by Nicol Matt. Going off of the ISRC code of this track, we detected that the origin of this track is from Netherlands. Freu Dich Sehr, O Meine Seele, Cantate Bwv 70 is not that popular right now. Based on the vibe, this track doesn't seem to be that danceable, however its valence properties can make this some somewhat danceable.
The tempo marking of Freu Dich Sehr, O Meine Seele, Cantate Bwv 70 by Nicol Matt, Johann Sebastian Bach, Nordic Chamber Choir, Jörg Halobek, Heike Hümmer, Jens Wollenschläger, Martina Rotbauer, Soloists Of The Freiburger Barockorchester, Ute Petersilge, Robert Sagasser is Andante (at a walking pace), since this song has a tempo of 78 BPM. With that information, we can conclude that the song has a slow tempo. The time signature for this track is 1/4.
This song has a musical key of A♭ Minor. Because this track belongs in the A♭ Minor key, the camelot key is 1A. So, the perfect camelot match for 1A would be either 1A or 12B. While, a low energy boost can consist of either 1B or 2A. For moderate energy boost, you would use 10A and a high energy boost can either be 3A or 8A. However, if you are looking for a low energy drop, finding a song with a camelot key of 12A would be a great choice. Where 4A would give you a moderate drop, and 11A or 6A would be a high energy drop. Lastly, 4B allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Was willst du dich, o meine Seele, BWV 425 | Johann Sebastian Bach, Chamber Choir Of Europe, Nicol Matt | A♭ Minor | 2 | 1A | 83 BPM | ||
Tristis Est Anima Mea | The Royal Wind Music | F♯ Major | 1 | 2B | 74 BPM | ||
Sinfonia Con due Trombe e Instrumenti, (G. 22): III. Allegro | Giuseppe Torelli, Thomas Hammes, Peter Leiner, European Chamber Soloists, Nicol Matt | B Major | 0 | 1B | 96 BPM | ||
Concerto à 5 in A Minor for Oboe Solo and Strings, Op. 9 No. 8: II. Adagio | Tomaso Albinoni, Stefan Schilli, Stuttgart Chamber Orchestra, Nicol Matt | F Major | 4 | 7B | 121 BPM | ||
Solomon, HWV 67, Act III: No. 61 Double Chorus "Praise the Lord with harp and tongue!" | George Frideric Handel, Akademie für Alte Musik Berlin, RIAS Kammerchor, Daniel Reuss | D Minor | 10 | 7A | 143 BPM | ||
Capriccio in G Minor, FbWV 505, Pt. 3 | Johann Jakob Froberger, Gustav Auzinger | D Major | 1 | 10B | 176 BPM | ||
Gott hilf mir, denn das Wasser geht mir bis an die Seele, BuxWV 34: III. Fürchte dich Nicht! | Dietrich Buxtehude, Vox Luminis, Lionel Meunier, Ensemble Masques, Olivier Fortin | E♭ Major | 2 | 5B | 123 BPM | ||
Historia der Auferstehung Jesu Christi, SWV 50: I. Introitus. Die Auferstehung unsers Herren Jesu Christi | Heinrich Schütz, Margret Baumgartl, Karina Müller, Hille Perl, Lee Santana, Ludger Rémy, Instrumenta Musica, The Sirius Viols, Dresdner Kammerchor, Hans-Christoph Rademann | D♭ Major | 1 | 3B | 169 BPM | ||
Alceste, Wq. 44 (Excerpts): Parez vos fronts de fleurs nouvelles | Christoph Willibald Gluck, Bavarian Radio Symphony Orchestra, Serge Baudo, Jessye Norman | G Major | 0 | 9B | 84 BPM | ||
Galliard | The Royal Wind Music | F♯ Major | 2 | 2B | 139 BPM |
Section: 0.8510668277740479
End: 0.8561685085296631