Giuseppe Torelli, Thomas Hammes, Peter Leiner, European Chamber Soloists, Nicol Matt's 'Sinfonia Con due Trombe e Instrumenti, (G. 22): III. Allegro' came out on 2006. The duration of Sinfonia Con due Trombe e Instrumenti, (G. 22): III. Allegro is about two minutes long, specifically at 2:11. This song does not appear to have any foul language. Sinfonia Con due Trombe e Instrumenti, (G. 22): III. Allegro's duration is considered a little bit shorter than the average duration of a typical track. There are a total of 74 in the song's album "Torelli: Complete Trumpet Concertos". In this album, this song's track order is #68. Furthermore, we believe that the track originated from Netherlands. In terms of popularity, Sinfonia Con due Trombe e Instrumenti, (G. 22): III. Allegro is currently not that popular. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
With Sinfonia Con due Trombe e Instrumenti, (G. 22): III. Allegro by Giuseppe Torelli, Thomas Hammes, Peter Leiner, European Chamber Soloists, Nicol Matt having a BPM of 96 with a half-time of 48 BPM and a double-time of 192 BPM, we would consider this track to have a Andante (at a walking pace) tempo marking. Because of this, we believe that the song has an overall slow tempo. The time signature for this track is 3/4.
This song is in the music key of B Major. Or for those who are familiar with the camelot wheel, this song has a camelot key of 1B. So, the perfect camelot match for 1B would be either 1B or 2A. While, 2B can give you a low energy boost. For moderate energy boost, you would use 10B and a high energy boost can either be 3B or 8B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 1A or 12B will give you a low energy drop, 4B would be a moderate one, and 11B or 6B would be a high energy drop. Lastly, 10A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Concerto Grosso In D Major, Op. 6, No. 4 : II. Adagio | Arcangelo Corelli, Ludovit Kanta, Daniela Ruso, Quido Holbling, Anna Holbling, Capella Istropolitana | B Minor | 0 | 10A | 142 BPM | ||
Overture (Suite) In C Major, TWV 55: C6: IV. Bouree En Trompette | Cologne Chamber Orchestra, Georg Philipp Telemann | C Major | 4 | 8B | 119 BPM | ||
Six Brandenburg Concertos, No. 3 in G Major, BWV1048: I. — | Johann Sebastian Bach, Rinaldo Alessandrini, Concerto Italiano | F♯ Major | 3 | 2B | 105 BPM | ||
Sonata a 5 in G Minor, Op. 2, No. 6: IV. Allegro | Tomaso Albinoni, Capella Istropolitana, Jaroslav Krcek | G Minor | 3 | 6A | 59 BPM | ||
Concerto Grosso in D Major, Op. 1, No. 9: I. Allegro | Pietro Locatelli, Capella Istropolitana | D Major | 3 | 10B | 136 BPM | ||
Correnti e balletti, Op. 4: No. 33, Ciaconna | Maurizio Cazzati, London Baroque | D♭ Major | 3 | 3B | 96 BPM | ||
Oboe Concerto in C Major on Themes of Pergolesi: III. Andantino | Anthony Camden, City of London Sinfonia, Nicholas Ward | C Minor | 0 | 5A | 48 BPM | ||
Recorder Trio in B-Flat Major, TWV 42:B4: I. Dolce (Arr. For Recorder, Lute, Cello & Harpsichord) | Georg Philipp Telemann, Dan Laurin, Mogens Rasmussen, Leif Meyer | A Major | 1 | 11B | 103 BPM | ||
Concerto grosso in C Minor, Op. 6, No. 8 HWV 326: IV. Adagio | George Frideric Handel, The English Concert, Trevor Pinnock, Simon Standage, Elizabeth Wilcock | B Minor | 2 | 10A | 121 BPM | ||
Concerto in D Major for Two Trumpets and Basso Continuo, (G. 24): III. Allegro | Giuseppe Torelli, Thomas Hammes, Peter Leiner, European Chamber Soloists, Nicol Matt | F Major | 4 | 7B | 107 BPM |
Section: 0.591843843460083
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