"My Lagan Love" by Traditional, Bryn Terfel, Neil Martin, Sharon Corr, London Symphony Orchestra, Barry Wordsworth was released on January 1, 2008. With this song being about 5 minutes long, at 4:59, "My Lagan Love" by Traditional, Bryn Terfel, Neil Martin, Sharon Corr, London Symphony Orchestra, Barry Wordsworth is fairly a long song compared to the average song length. This song does not have an "Explicit" tag, making it safe for all ages. There are a total of 17 in the song's album "Scarborough Fair - Songs From The British Isles". In this album, this song's track order is #12. My Lagan Love is not that popular right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
With My Lagan Love by Traditional, Bryn Terfel, Neil Martin, Sharon Corr, London Symphony Orchestra, Barry Wordsworth having a BPM of 85 with a half-time of 42 BPM and a double-time of 170 BPM, we would consider this track to have a Andante (at a walking pace) tempo marking. Because of this, we believe that the song has an overall slow tempo. Looking at the BPM of this song, this song might go great with yoga or pilates. The time signature for this track is 5/4.
This song has a musical key of G Major. Or for those who are familiar with the camelot wheel, this song has a camelot key of 9B. So, the perfect camelot match for 9B would be either 9B or 10A. While, 10B can give you a low energy boost. For moderate energy boost, you would use 6B and a high energy boost can either be 11B or 4B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 9A or 8B will give you a low energy drop, 12B would be a moderate one, and 7B or 2B would be a high energy drop. Lastly, 6A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
3 Choruses from Tsar Fyodor Ioannovich: No. 2. Sacred Love | St. Petersburg Optina Pustyn Male Choir | C Minor | 0 | 5A | 84 BPM | ||
Sitivit anima mea (Live) | Richard Burchard, Riverside City College Chamber Singers, John Byun | E♭ Major | 0 | 5B | 135 BPM | ||
Kyrie Eleison: Iv Gregorianske Messe | Public Domaine, St. Hallvard-Guttene, Øistein Vogt | A Minor | 0 | 8A | 71 BPM | ||
Regina Mundi | Monks Of The Abbey Of Notre Dame | B Major | 1 | 1B | 133 BPM | ||
Pastyme with good companye | Henry VIII, Amarcord, Michael Metzler | D Minor | 0 | 7A | 63 BPM | ||
3 Sacred Songs, Op. 69: No. 3, Abendlied "Bleib bei uns, es will Abend werden" | Josef Rheinberger, Westminster Kantorei, Amanda Quist | F Major | 2 | 7B | 134 BPM | ||
Missa Quadragesimalis, MH 552: Agnus Dei | Michael Haydn, Purcell Choir, Orfeo Orchestra, members, Gyorgy Vashegyi | A♭ Minor | 1 | 1A | 0 BPM | ||
Allá se me ponga el sol à 4 | Juan Ponce, Huelgas Ensemble, Paul Van Nevel | D Minor | 0 | 7A | 176 BPM | ||
Mass in E-Flat Major (Cantus missae), Op.109: I. Kyrie | Josef Rheinberger, Ensemble Stuttgart, Frieder Bernius, Kammerchor Stuttgart | E♭ Major | 1 | 5B | 66 BPM | ||
Stella Splendens In Monte | Schola Gregoriana Mediolanensis & Giovanni Vianini | A♭ Major | 1 | 4B | 162 BPM |
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