Johann Bernhard Bach, L'Achéron, François Joubert-Caillet made "Ouverture in D Major: V. Caprice (2)" available on September 30, 2016. The duration of Ouverture in D Major: V. Caprice (2) is about two minutes long, specifically at 2:40. This song does not appear to have any foul language. Ouverture in D Major: V. Caprice (2)'s duration is considered a little bit shorter than the average duration of a typical track. The track order of this song in Johann Bernhard Bach, L'Achéron, François Joubert-Caillet's "Johann Bernhard Bach: Ouvertures" album is number 26 out of 29. On top of that, Belgium appears to be the country where this track was created. In terms of popularity, Ouverture in D Major: V. Caprice (2) is currently not that popular. Based on the vibe, this track doesn't seem to be that danceable, however its valence properties can make this some somewhat danceable.
We consider the tempo marking of Ouverture in D Major: V. Caprice (2) by Johann Bernhard Bach, L'Achéron, François Joubert-Caillet to be Moderato (at a moderate speed) because the track has a tempo of 115 BPM, a half-time of 58BPM, and a double-time of 230 BPM. Based on that, the speed of the song's tempo is moderate. Activities such as, walking, can go well with this song. The time signature for this track is 3/4.
This song is in the music key of C Major. This also means that this song has a camelot key of 8B. So, the perfect camelot match for 8B would be either 8B or 9A. While, 9B can give you a low energy boost. For moderate energy boost, you would use 5B and a high energy boost can either be 10B or 3B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 8A or 7B will give you a low energy drop, 11B would be a moderate one, and 6B or 1B would be a high energy drop. Lastly, 5A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Sinfonia a quattro: III. Allegro | František Tůma, Czech Ensemble Baroque, Roman Válek | B Major | 2 | 1B | 83 BPM | ||
Concerto grosso in B-Flat Major, Op. 1 No.3: II. Allegro | Pietro Locatelli, Orchestre De Chambre De Toulouse, Gilles Colliard | A Major | 3 | 11B | 99 BPM | ||
Fantasia: Fantasia | Carl Philipp Emanuel Bach, Marcin Świątkiewicz | F♯ Major | 2 | 2B | 136 BPM | ||
Viola da Gamba Concerto in A Major: I. A tempo guisto | Johann Pfeiffer, Siegfried Pank, Stephan Mai, Dorte Wetzel, Christine Schornsheim, Akademie für Alte Musik Berlin | E♭ Major | 0 | 5B | 97 BPM | ||
Concerto in F Major: I. Adagio | Johann Adolf Hasse, Leo Duarte, Nicola Boud, Michele Fattori, Peter Whelan, Irish Baroque Orchestra | E Major | 0 | 12B | 100 BPM | ||
Violin Sonata in D Major, Op. 1 No. 13, HWV 371: I. Affetuoso | George Frideric Handel, Rachel Podger, Brecon Baroque | A♭ Minor | 2 | 1A | 112 BPM | ||
Harpsichord Concerto in D Major, WVC:XIII:72: III. Vivace | Carl Heinrich Graun, Philippe Grisvard, Ensemble Diderot, Johannes Pramsohler | D♭ Major | 3 | 3B | 141 BPM | ||
Al fragor di lieta tromba, Sinfonia: III. Allegro | Alessandro Scarlatti, Alessandro Stradella Consort, Estevan Velardi | G Minor | 0 | 6A | 117 BPM | ||
Amphitryon, Z. 572, "The 2 Sosias": VI. Minuet | Henry Purcell, Andrea Jeffrey, Michelle Kettrick, Nicole Bower, Giles Tomkins, Aradia Ensemble, Kevin Mallon | D♭ Minor | 1 | 12A | 85 BPM | ||
Ouverture in E Minor: VII. Gavotte en rondeau | Johann Bernhard Bach, L'Achéron, François Joubert-Caillet | D Minor | 2 | 7A | 98 BPM |
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