"Coppélia, Suite: 2. Scène et Valse de Swanhilde" by Léo Delibes, Berliner Philharmoniker, Herbert von Karajan was released on June 19, 2021. With this song being around four minutes long, at 3:41, the duration of this song is pretty average compared to other songs. This track is safe for children and doesn't appear to contain any foul language, since the "Explicit" tag was not present in this track. The song is number 23 out of 61 in Fête de la Musique - French Composers by Léo Delibes, Charles Gounod, Camille Saint-Saëns. The popularity of Coppélia, Suite: 2. Scène et Valse de Swanhilde is currently not that popular right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
The tempo marking of Coppélia, Suite: 2. Scène et Valse de Swanhilde by Léo Delibes, Berliner Philharmoniker, Herbert von Karajan is Vivace (lively and fast), since this song has a tempo of 173 BPM. With that information, we can conclude that the song has a fast tempo. The time signature for this track is 3/4.
This song is in the music key of E♭ Major. This also means that this song has a camelot key of 5B. So, the perfect camelot match for 5B would be either 5B or 6A. While, 6B can give you a low energy boost. For moderate energy boost, you would use 2B and a high energy boost can either be 7B or 12B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 5A or 4B will give you a low energy drop, 8B would be a moderate one, and 3B or 10B would be a high energy drop. Lastly, 2A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
La damnation de Faust, Op. 24, Part II: Ballet des syphes (Dance of the Spirits) | Hector Berlioz, Hungarian National Philharmonic, Ádám Fischer | D Major | 0 | 10B | 80 BPM | ||
Holberg Suite, Op.40: 5. Rigaudon (Allegro con brio) | Edvard Grieg, Berliner Philharmoniker, Herbert von Karajan | G Major | 0 | 9B | 128 BPM | ||
Piano Concerto in G Major, M. 83: 2. Adagio assai | Maurice Ravel, Martha Argerich, Berliner Philharmoniker, Claudio Abbado | E Major | 0 | 12B | 75 BPM | ||
Don Quixote, Op. 35, TrV 184: Variation III (Mäßiges Zeitmaß) | Richard Strauss, Pierre Fournier, Giusto Cappone, Berliner Philharmoniker, Herbert von Karajan | E♭ Major | 3 | 5B | 102 BPM | ||
Madama Butterfly / Act 1: Vogliatemi bene | Giacomo Puccini, Mirella Freni, Luciano Pavarotti, Wiener Philharmoniker, Herbert von Karajan | B♭ Major | 2 | 6B | 92 BPM | ||
Symphony No. 9 in D Minor, WAB 109: 2. Scherzo (Bewegt lebhaft) - Live | Anton Bruckner, Berliner Philharmoniker, Wilhelm Furtwängler | D Minor | 3 | 7A | 116 BPM | ||
Radetzky-Marsch, Op. 228 | Johann Strauss I, Berliner Philharmoniker, Herbert von Karajan | A Major | 3 | 11B | 107 BPM | ||
Suite No. 3 in D, BWV 1068: 2. Air | Johann Sebastian Bach, David Bell, Berliner Philharmoniker, Herbert von Karajan | D Major | 2 | 10B | 173 BPM | ||
Lakmé / Act 1: "Sous le dôme épais" (Flower Duet) | Léo Delibes, BBC Concert Orchestra, Barry Wordsworth | B Major | 2 | 1B | 71 BPM | ||
Concerto for Orchestra, Sz. 116: 1. Introduzione (Andante non troppo - Allegro vivace | Béla Bartók, Berliner Philharmoniker, Herbert von Karajan | D♭ Major | 1 | 3B | 90 BPM |
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