"Slavonic Dances, Op. 72: No. 2 in E Minor: Starodávny" by Marian Lapsansky, Peter Toperczer was released on May 24, 2011. With this song being about 5 minutes long, at 5:18, "Slavonic Dances, Op. 72: No. 2 in E Minor: Starodávny" by Marian Lapsansky, Peter Toperczer is fairly a long song compared to the average song length. This song does not have an "Explicit" tag, making it safe for all ages. There are a total of 19 in the song's album "Six Concertos - Two Pianists: Tchaikovksy, Chopin, Beethoven, Grieg, Kubik and Schumann". In this album, this song's track order is #19. In terms of popularity, Slavonic Dances, Op. 72: No. 2 in E Minor: Starodávny is currently unknown. Although the tone can be danceable to some, this track does projects more of a negative sound rather than a postive one.
With Slavonic Dances, Op. 72: No. 2 in E Minor: Starodávny by Marian Lapsansky, Peter Toperczer having a BPM of 98 with a half-time of 49 BPM and a double-time of 196 BPM, we would consider this track to have a Andante (at a walking pace) tempo marking. Because of this, we believe that the song has an overall slow tempo. The time signature for this track is 4/4.
This song is in the music key of C Major. Or for those who are familiar with the camelot wheel, this song has a camelot key of 8B. So, the perfect camelot match for 8B would be either 8B or 9A. While, 9B can give you a low energy boost. For moderate energy boost, you would use 5B and a high energy boost can either be 10B or 3B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 8A or 7B will give you a low energy drop, 11B would be a moderate one, and 6B or 1B would be a high energy drop. Lastly, 5A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Carmen Suite No. 2: III. Nocturne | Georges Bizet, Slovak Philharmonic, Anthony Bramall | E♭ Major | 1 | 5B | 72 BPM | ||
Lyric Pieces, Book 3, Op. 43: No. 6, An den Fruhling (To the Spring) | Edvard Grieg, Marian Lapsansky | D♭ Major | 1 | 3B | 94 BPM | ||
Carnival of the Animals, R. 125: II. Hens & Cockerels | Camille Saint-Saëns, Marian Lapsansky, Peter Toperczer, Slovak Radio Symphony Orchestra, Ondrej Lenard | F Major | 0 | 7B | 140 BPM | ||
Quintet in D Major, Op. 42: II. Largo | Zdeněk Fibich, Marian Lapsansky, Ludmila Peterková, Vladimira Klanska, Jiří Panocha, Jaroslav Kulhan | B♭ Major | 0 | 6B | 108 BPM | ||
Vocalise, Op. 34 | London Philharmonic Orchestra, Pieter Schoeman | E Minor | 2 | 9A | 92 BPM | ||
Waldszenen, Op. 82: 3. Einsame Blumen | Robert Schumann, Mitsuko Uchida | B♭ Major | 0 | 6B | 69 BPM | ||
Violin Sonata in A major, FWV 8: IV. Allegretto poco mosso | César Franck, Joshua Bell, Jeremy Denk | A Major | 1 | 11B | 94 BPM | ||
The Sleeping Beauty, Ballet Suite, Op. 66a: II. Adagio - Pas d'action | Pyotr Ilyich Tchaikovsky, Christoph Eschenbach, Wiener Philharmoniker | E♭ Major | 2 | 5B | 142 BPM | ||
Quintet in D Major, Op. 42: IV. Finale. Allegro con spirito | Zdeněk Fibich, Marian Lapsansky, Ludmila Peterková, Vladimira Klanska, Jiří Panocha, Jaroslav Kulhan | D Major | 1 | 10B | 118 BPM | ||
Salut d'amour, Op. 12 (Arr. Cello & Piano) | Edward Elgar, Lynn Harrell, Bruno Canino | D Major | 1 | 10B | 144 BPM |
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