"Cello Concerto in A minor, op. 129: II. Adagio - Langsam" by Robert Schumann, Jean-Guihen Queyras, Freiburger Barockorchester, Pablo Heras-Casado was released on April 1, 2016. With this song being around four minutes long, at 4:04, the duration of this song is pretty average compared to other songs. This track is safe for children and doesn't appear to contain any foul language, since the "Explicit" tag was not present in this track. There are a total of 7 in the song's album "Schumann: Cello Concerto; Piano Trio No. 1". In this album, this song's track order is #2. Furthermore, we believe that the track originated from France. Cello Concerto in A minor, op. 129: II. Adagio - Langsam is not that popular right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
With Cello Concerto in A minor, op. 129: II. Adagio - Langsam by Robert Schumann, Jean-Guihen Queyras, Freiburger Barockorchester, Pablo Heras-Casado having a BPM of 74 with a half-time of 37 BPM and a double-time of 148 BPM, we would consider this track to have a Adagio (slowly with great expression) tempo marking. Because of this, we believe that the song has an overall slow tempo. The time signature for this track is 4/4.
This song has a musical key of F Major. Or for those who are familiar with the camelot wheel, this song has a camelot key of 7B. So, the perfect camelot match for 7B would be either 7B or 8A. While, 8B can give you a low energy boost. For moderate energy boost, you would use 4B and a high energy boost can either be 9B or 2B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 7A or 6B will give you a low energy drop, 10B would be a moderate one, and 5B or 12B would be a high energy drop. Lastly, 4A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
3 Preludi Sopra Melodie Gregoriane, P. 131: I. Molto Lento | Ottorino Respighi, Konstantin Scherbakov | A♭ Minor | 0 | 1A | 70 BPM | ||
Suite No. 2 in D Minor BWV 1008.: II. Allemande | Johann Sebastian Bach, Jean-Guihen Queyras | E Major | 1 | 12B | 133 BPM | ||
Suite No. 3 in C Major BWV 1009.: I. Prélude | Johann Sebastian Bach, Jean-Guihen Queyras | G Major | 2 | 9B | 55 BPM | ||
Album for the Young, Op. 68: No. 16 'Erster Verlust' | Robert Schumann, Irene Cantos | C Major | 0 | 8B | 107 BPM | ||
Antiche Danze Ed Arie Per Liuto (Ancient Airs And Dances), P. 114: VI. Passacaglia | Ottorino Respighi, Konstantin Scherbakov | G Minor | 2 | 6A | 96 BPM | ||
Symphony No. 3 in D Minor: II. Tempo di menuetto. Sehr mäßig | Gustav Mahler, Bavarian Radio Symphony Orchestra, Bernard Haitink | A Major | 0 | 11B | 81 BPM | ||
Shostakovich: Cello Concerto No. 2 in G Major, Op. 126: II. Allegretto | Dmitri Shostakovich, Gautier Capuçon, Valery Gergiev, Mariinsky Orchestra of Saint Petersburg | G Major | 2 | 9B | 113 BPM | ||
3 Romances sans paroles, Op. 17: No. 3 in A-Flat Major (Arr. P. Gouin for Cello & Piano) | Gabriel Fauré, Jesper Svedberg, Simon Crawford-Phillips | A Major | 0 | 11B | 79 BPM | ||
Violin Concerto in D Minor, Op.47 (1985 - Remaster): II. Adagio di molto | Jean Sibelius, Itzhak Perlman, André Previn, Pittsburgh Symphony Orchestra | B♭ Major | 1 | 6B | 87 BPM | ||
7 Variations on the Air Vien qua, Dorina bella by Bianchi, Op. 7, J. 53: Variation 1 | Carl Maria von Weber, Michael Endres | C Major | 0 | 8B | 134 BPM |
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