Anonymous, Astor Piazzolla, Trío Arbós's 'Oblivion (arr. for violin, cello and piano)' came out on May 1, 2013. With this song being around four minutes long, at 3:39, the duration of this song is pretty average compared to other songs. This track is safe for children and doesn't appear to contain any foul language, since the "Explicit" tag was not present in this track. There are a total of 12 in the song's album "Sones y Danzones". In this album, this song's track order is #11. Furthermore, we believe that the track originated from Spain. Based on our statistics, Oblivion (arr. for violin, cello and piano)'s popularity is not that popular right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
With Oblivion (arr. for violin, cello and piano) by Anonymous, Astor Piazzolla, Trío Arbós having a BPM of 141 with a half-time of 70 BPM and a double-time of 282 BPM, we would consider this track to have a Allegro (fast, quick, and bright) tempo marking. Because of this, we believe that the song has an overall fast tempo. Looking at the BPM of this song, this song might go great with jogging or cycling. The time signature for this track is 4/4.
A Minor is the music key of this track. Which also means that the camelot key for this song is 8A. So, the perfect camelot match for 8A would be either 8A or 7B. While, a low energy boost can consist of either 8B or 9A. For moderate energy boost, you would use 5A and a high energy boost can either be 10A or 3A. However, if you are looking for a low energy drop, finding a song with a camelot key of 7A would be a great choice. Where 11A would give you a moderate drop, and 6A or 1A would be a high energy drop. Lastly, 11B allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Diferencias Sobre el Canto de "La Dama le Demanda" | Antonio de Cabezón, Doulce Mémoire, Denis Raisin-Dadre | E♭ Minor | 1 | 2A | 152 BPM | ||
Tempo Della Glora E Della Vita. Antifona D'Ingresso: Resurexi | Canonici Regolari Si Sant'Antimo | G Major | 0 | 9B | 133 BPM | ||
Sacred Concerto No. 15, "Priidite, vospoim lyudiye" (Come, let us praise in song, O people): II. Adagio | Dmitry Bortniansky, Ensemble Cherubim, Marika Kuzma | E♭ Minor | 0 | 2A | 94 BPM | ||
Veni, Creator Spiritus - Hymnus (tonus monasticus) in Festo Pentecostes | Anonymous, Benedictine Monks of the Abbey of St. Maurice & St. Maur, Clevaux | B♭ Major | 1 | 6B | 71 BPM | ||
Messe de Notre-Dame: VIII. Préface. Vere dignum et justum est | Guillaume de Machaut, Ensemble Organum, Marcel Pérès | F Major | 3 | 7B | 137 BPM | ||
Responsorium | Chants From the Holyland- Graz Gregorian Chants School of Austri | B Minor | 2 | 10A | 73 BPM | ||
Great Ektenia | The Russian State Symphony Cappella | B♭ Major | 2 | 6B | 72 BPM | ||
Da Pacem Domine | Monks Of The Abbey Of Notre Dame | D Major | 0 | 10B | 43 BPM | ||
Requiem aeternam | Traditional, Chœur De Moines Bénedictins De l'Abbaye Santo Domingo De Silos | E♭ Major | 2 | 5B | 174 BPM | ||
Sisask : Gloria Patri... 24 Hymns for Mixed Choir : VII Deo gratias | Urmas Sisask, The Chamber Choir Eesti Projekt, Anne-Liis Treimann | D Major | 0 | 10B | 83 BPM |
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