"Ruy Blas, Op. 95 - Overture to Victor Hugo's play: Lento - Allegro molto" by Felix Mendelssohn, London Symphony Orchestra, Claudio Abbado was released on January 1, 1985. Since Ruy Blas, Op. 95 - Overture to Victor Hugo's play: Lento - Allegro molto is still less than 10 minute long, it is still considered a pretty long duration song compared to the average song length. This song does not appear to be explicit due to the lack of the "E" tag. The track order of this song in Felix Mendelssohn, London Symphony Orchestra, Claudio Abbado's "Mendelssohn: Overtures" album is number 6 out of 7. On top of that, Germany appears to be the country where this track was created. Based on our statistics, Ruy Blas, Op. 95 - Overture to Victor Hugo's play: Lento - Allegro molto's popularity is not that popular right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
We consider the tempo marking of Ruy Blas, Op. 95 - Overture to Victor Hugo's play: Lento - Allegro molto by Felix Mendelssohn, London Symphony Orchestra, Claudio Abbado to be Allegro (fast, quick, and bright) because the track has a tempo of 126 BPM, a half-time of 63BPM, and a double-time of 252 BPM. Based on that, the speed of the song's tempo is fast. Activities such as, walking, can go well with this song. The time signature for this track is 4/4.
D Major is the music key of this track. This also means that this song has a camelot key of 10B. So, the perfect camelot match for 10B would be either 10B or 11A. While, 11B can give you a low energy boost. For moderate energy boost, you would use 7B and a high energy boost can either be 12B or 5B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 10A or 9B will give you a low energy drop, 1B would be a moderate one, and 8B or 3B would be a high energy drop. Lastly, 7A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Polonaise No. 6 in A-Flat Major, Op. 53, "Heroic" | Frédéric Chopin, Idil Biret | A♭ Major | 2 | 4B | 76 BPM | ||
Symphony No. 1 in A-Flat Major, Op. 55: III. Adagio | Edward Elgar, London Symphony Orchestra, Sir Colin Davis | E♭ Major | 0 | 5B | 89 BPM | ||
Piano Concerto No. 1 in G Minor, Op. 25, MWV O7: 1. Molto allegro con fuoco | Felix Mendelssohn, Jan Lisiecki, Orpheus Chamber Orchestra | A♭ Major | 2 | 4B | 80 BPM | ||
Symphony No. 1 in E Minor, Op. 39: I. Andante, ma non troppo - Allegro energico | Jean Sibelius, Sir Colin Davis, London Symphony Orchestra | E♭ Minor | 1 | 2A | 106 BPM | ||
The Seasons, Op.67: 1. Winter | Alexander Glazunov, Orchestre de la Suisse Romande, Ernest Ansermet | D Minor | 0 | 7A | 113 BPM | ||
Concerto For 2 Pianos In A Flat Major: III. Allegro Vivace | Benjamin Frith, RTE Sinfonietta, Hugh Tinney, Felix Mendelssohn | A♭ Major | 1 | 4B | 129 BPM | ||
Grieg : Symphonic Dances Op.64 : No.4 in A minor | Edvard Grieg, Sakari Oramo, City Of Birmingham Symphony Orchestra, Tim Oldham | A Minor | 1 | 8A | 79 BPM | ||
La mer, L. 109: I. De l'aube à midi sur la mer | Claude Debussy, Cleveland Orchestra, Pierre Boulez | F♯ Major | 0 | 2B | 134 BPM | ||
Legende, Op.17: Andante - Allegro moderato - Tempo I | Henryk Wieniawski, Gil Shaham, London Symphony Orchestra, Lawrence Foster | G Minor | 1 | 6A | 75 BPM | ||
Nessun Dorma | Giacomo Puccini, HAUSER, Robert Ziegler, London Symphony Orchestra | D Major | 5 | 10B | 96 BPM |
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