Oktavian Ensemble's 'Serenade Nr.12 Für Bläser C-Moll Kv 388 Lodron Nacht Musik: 3. Satz Menuetto In Canone' came out on March 22, 2010. With this song being around four minutes long, at 3:58, the duration of this song is pretty average compared to other songs. This track is safe for children and doesn't appear to contain any foul language, since the "Explicit" tag was not present in this track. There are a total of 16 in the song's album "Oktavian Ensemble". In this album, this song's track order is #15. Based on our statistics, Serenade Nr.12 Für Bläser C-Moll Kv 388 Lodron Nacht Musik: 3. Satz Menuetto In Canone's popularity is unknown right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
With Serenade Nr.12 Für Bläser C-Moll Kv 388 Lodron Nacht Musik: 3. Satz Menuetto In Canone by Oktavian Ensemble having a BPM of 124 with a half-time of 62 BPM and a double-time of 248 BPM, we would consider this track to have a Allegro (fast, quick, and bright) tempo marking. Because of this, we believe that the song has an overall fast tempo. Looking at the BPM of this song, this song might go great with walking. The time signature for this track is 4/4.
This song has a musical key of C Minor. Which also means that the camelot key for this song is 5A. So, the perfect camelot match for 5A would be either 5A or 4B. While, a low energy boost can consist of either 5B or 6A. For moderate energy boost, you would use 2A and a high energy boost can either be 7A or 12A. However, if you are looking for a low energy drop, finding a song with a camelot key of 4A would be a great choice. Where 8A would give you a moderate drop, and 3A or 10A would be a high energy drop. Lastly, 8B allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Egmont, Op. 84: Overture in F Minor | Ludwig van Beethoven, David Parry, London Philharmonic Orchestra | F Minor | 2 | 4A | 178 BPM | ||
Morceau de Concert, Op. 94 for Horn and Orchestra: 1. Allegro moderato | Camille Saint-Saëns, Hermann Baumann, Gewandhausorchester, Kurt Masur | F Minor | 0 | 4A | 116 BPM | ||
Symphony No. 88 in G Major, Hob. I:88: IV. Finale. Allegro con spirito | Franz Joseph Haydn, Giuseppe Torelli, Leonard Bernstein, Raymond Leppard, New York Philharmonic, English Chamber Orchestra | B♭ Major | 0 | 6B | 165 BPM | ||
Symphony No. 8: II. Andante grazioso | Paul von Klenau, Singapore Symphony Orchestra, Hans Graf | G Major | 0 | 9B | 76 BPM | ||
Die Schöpfung: Mit Staunen sieht das Wunderwerk | Joseph Haydn, Oktavian Ensemble, Franz Strasser | B♭ Major | 1 | 6B | 105 BPM | ||
Lestocq, S. 24: Act III Entr'acte | Daniel Auber, Czech Philharmonic Chamber Orchestra, Dario Salvi | G Minor | 1 | 6A | 113 BPM | ||
Symphony No.5 In C Minor, Op.67: 3. Allegro | Ludwig van Beethoven, Berliner Philharmoniker, Herbert von Karajan | C Minor | 1 | 5A | 84 BPM | ||
ス・ワンダフル | アンサンブル・ジャック・アンド・ジルズ | C Major | 3 | 8B | 135 BPM | ||
Variations on a Theme by Haydn, Op.56: Orchestra Setting, Op.56a: 4. Variation 3. Con moto | Wilhelm Furtwängler | B♭ Major | 1 | 6B | 115 BPM | ||
Piano Concerto No. 2 in F Major: II. Largo | Giovanni Paisiello, Francesco Nicolosi, Collegium Philarmonicum Chamber Orchestra, Gennaro Cappabianca | C Major | 0 | 8B | 122 BPM |
Section: 0.7213594913482666
End: 0.7251036167144775