Giovanni Gabrieli, The Philadelphia Brass Ensemble, The Chicago Brass Ensemble, Richard Burgin's 'Canzon Septimi Toni No. 2' came out on 1960. The duration of Canzon Septimi Toni No. 2 is about two minutes long, specifically at 2:48. This song does not appear to have any foul language. Canzon Septimi Toni No. 2's duration is considered a little bit shorter than the average duration of a typical track. There are a total of 32 in the song's album "The Antiphonal Music of Gabrieli". In this album, this song's track order is #1. In terms of popularity, Canzon Septimi Toni No. 2 is currently not that popular. Although the tone can be danceable to some, this track does projects more of a negative sound rather than a postive one.
With Canzon Septimi Toni No. 2 by Giovanni Gabrieli, The Philadelphia Brass Ensemble, The Chicago Brass Ensemble, Richard Burgin having a BPM of 117 with a half-time of 58 BPM and a double-time of 234 BPM, we would consider this track to have a Moderato (at a moderate speed) tempo marking. Because of this, we believe that the song has an overall moderate tempo. Looking at the BPM of this song, this song might go great with walking. The time signature for this track is 4/4.
This song is in the music key of A♭ Major. Or for those who are familiar with the camelot wheel, this song has a camelot key of 4B. So, the perfect camelot match for 4B would be either 4B or 5A. While, 5B can give you a low energy boost. For moderate energy boost, you would use 1B and a high energy boost can either be 6B or 11B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 4A or 3B will give you a low energy drop, 7B would be a moderate one, and 2B or 9B would be a high energy drop. Lastly, 1A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Canzon à 12 in Echo | Giovanni Gabrieli, The Philadelphia Brass Ensemble, The Cleveland Brass Ensemble, The Chicago Brass Ensemble, Richard Burgin | B♭ Major | 1 | 6B | 84 BPM | ||
Introitus: I. Requiem aeternam | Cristobal de Morales, Musica Ficta, Raúl Mallavibarrena | A♭ Major | 1 | 4B | 88 BPM | ||
Organ Voluntary in C Major, Op. 5 No. 1: I. Adagio | John Stanley, Richard Marlow | C Major | 0 | 8B | 68 BPM | ||
Bach, JS: Matthäus-Passion, BWV 244, Pt. 2: No. 49, Aria. "Aus Liebe will mein Heiland sterben" | Johann Sebastian Bach, Ton Koopman, Barbara Schlick, Amsterdam Baroque Orchestra | A Major | 2 | 11B | 112 BPM | ||
Courtly Masquing Ayres: No. 20 | John Adson, The Prague Brass Soloists | F Major | 2 | 7B | 181 BPM | ||
Sacrae symphoniae (1597): Canzon I a 4, "La spirita" | Giovanni Gabrieli, Andreas Sieling, Berlin Brass, Lucas Vis | G Minor | 1 | 6A | 167 BPM | ||
Geistliche Chormusik: Herr, auf dich traue ich, SWV 377 | Heinrich Schütz, Collegium Vocale Gent, Philippe Herreweghe | G Major | 1 | 9B | 59 BPM | ||
Galliard, "Heigh Ho Holiday" | Anthony Holborne, Matthias Höfs, Matthias Janz | C Major | 1 | 8B | 121 BPM | ||
Taverner: Missa Corona spinea - 01. Gloria in excelsis Deo | John Taverner, Peter Phillips, The Tallis Scholars | E♭ Major | 1 | 5B | 88 BPM | ||
Mass No. 2 in F Major, Hob.XXII:1, "Missa brevis": Sanctus | Joseph Haydn, Trinity Church Choir, New York, Rebel Baroque Orchestra, Owen Burdick | C Major | 3 | 8B | 92 BPM |
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