Édouard Lalo, Anne-Sophie Mutter, Seiji Ozawa, Orchestre National De France's 'Lalo: Symphonie espagnole, Op. 21: III. Intermezzo. Allegro non troppo' came out on January 1, 1985. Lalo: Symphonie espagnole, Op. 21: III. Intermezzo. Allegro non troppo is about six minutes long, preciously at 6:18, making this song fairly long compared to other songs. The track order of this song in Édouard Lalo, Anne-Sophie Mutter, Seiji Ozawa, Orchestre National De France's "Lalo: Symphonie espagnole, Op. 21 - de Sarasate: Zigeunerweisen, Op. 20" album is number 3 out of 6. In terms of popularity, Lalo: Symphonie espagnole, Op. 21: III. Intermezzo. Allegro non troppo is currently not that popular. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
We consider the tempo marking of Lalo: Symphonie espagnole, Op. 21: III. Intermezzo. Allegro non troppo by Édouard Lalo, Anne-Sophie Mutter, Seiji Ozawa, Orchestre National De France to be Andante (at a walking pace) because the track has a tempo of 107 BPM, a half-time of 54BPM, and a double-time of 214 BPM. Based on that, the speed of the song's tempo is slow. The time signature for this track is 4/4.
A Minor is the music key of this track. Because this track belongs in the A Minor key, the camelot key is 8A. So, the perfect camelot match for 8A would be either 8A or 7B. While, a low energy boost can consist of either 8B or 9A. For moderate energy boost, you would use 5A and a high energy boost can either be 10A or 3A. However, if you are looking for a low energy drop, finding a song with a camelot key of 7A would be a great choice. Where 11A would give you a moderate drop, and 6A or 1A would be a high energy drop. Lastly, 11B allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Life and Works of Brahms: Trio for Horn, Violin and Piano, Op. 40 (Finale) | Jeremy Siepmann | E♭ Major | 3 | 5B | 99 BPM | ||
Violin Concerto No. 10 in G Major: Largo | Joseph Boulogne Chevalier de Saint-Georges, Zhou Qian, Toronto Chamber Orchestra, Kevin Mallon | D Major | 1 | 10B | 186 BPM | ||
Violin Concerto, Op. 14: II. Andante | Samuel Barber, Hilary Hahn, Hugh Wolff, Saint Paul Chamber Orchestra | E Major | 1 | 12B | 100 BPM | ||
Bist du bei mir (Formerly Attrib. J.S. Bach as BWV 508, Transcr. for Oboe, Solo Violin, Strings and Basso continuo) | Gottfried Heinrich Stölzel, Albrecht Mayer, Gottfried Von Der Goltz, Berliner Barock Solisten | E♭ Major | 1 | 5B | 62 BPM | ||
Piano Concerto No. 1 in E-Flat Major, S. 124: II. Quasi adagio - Allegretto vivace - Allegro animato | Franz Liszt, Lang Lang, Valery Gergiev, Wiener Philharmoniker | B Major | 1 | 1B | 79 BPM | ||
L'Arlésienne Suite No. 1, WD 40: 3. Adagietto | Georges Bizet, Orchestre Symphonique de Montréal, Charles Dutoit | F Major | 0 | 7B | 86 BPM | ||
Orientale No. 9, Op. 50 from Kaleidoscope | César Cui, Midori, Robert McDonald | G Minor | 1 | 6A | 106 BPM | ||
Romance in F Major, Op. 36, R. 195 | Camille Saint-Saëns, Mischa Maisky, Orpheus Chamber Orchestra | F Major | 0 | 7B | 75 BPM | ||
The Magic Flute, K. 620: Overture | Wolfgang Amadeus Mozart, Wilfried Gahmlich, Anna Gonda, Hungarian Festival Chorus, Budapest Failoni Chamber Orchestra, Michael Halasz, Hellen Kwon, Lotte Leitner, Herbert Lippert, Elizabeth Norberg-Schulz, Kurt Rydl, Georg Tichy, Julia Faulkner, Waltraud Winsauer | E♭ Major | 1 | 5B | 90 BPM | ||
Le roi s'amuse: Passepied | Léo Delibes, Slovak Philharmonic, Ondrej Lenard | A Major | 1 | 11B | 88 BPM |
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