The Creation, Hob.XXI,2: Pt. 2, On Mighty Pens Uplifted
Joseph Haydn, Handel & Haydn Society, Sarah Tynan, Harry Christophers
Haydn: The Creation & The Paris Symphonies
7:02 2015
BPM
114
Key
D Minor
Camelot
7A

Embed

Share Link

The Creation, Hob.XXI,2: Pt. 2, On Mighty Pens Uplifted - Joseph Haydn, Handel & Haydn Society, Sarah Tynan, Harry Christophers Information

Acousticness
98%
Danceability
44%
Energy
3%
Instrumentalness
1%
Liveness
13%
Loudness
60%
Speechiness
4%
Valence
14%
Popularity
Loudness
-24.023 dB

Summary

"The Creation, Hob.XXI,2: Pt. 2, On Mighty Pens Uplifted" by Joseph Haydn, Handel & Haydn Society, Sarah Tynan, Harry Christophers was released on 2015. Since The Creation, Hob.XXI,2: Pt. 2, On Mighty Pens Uplifted is still less than 10 minute long, it is still considered a pretty long duration song compared to the average song length. This song does not appear to be explicit due to the lack of the "E" tag. The track order of this song in Joseph Haydn, Handel & Haydn Society, Harry Christophers's "Haydn: The Creation & The Paris Symphonies" album is number 16 out of 56. On top of that, United Kingdom appears to be the country where this track was created. In terms of popularity, The Creation, Hob.XXI,2: Pt. 2, On Mighty Pens Uplifted is currently unknown. Although the tone can be danceable to some, this track does projects more of a negative sound rather than a postive one.

The Creation, Hob.XXI,2: Pt. 2, On Mighty Pens Uplifted BPM

We consider the tempo marking of The Creation, Hob.XXI,2: Pt. 2, On Mighty Pens Uplifted by Joseph Haydn, Handel & Haydn Society, Sarah Tynan, Harry Christophers to be Moderato (at a moderate speed) because the track has a tempo of 114 BPM, a half-time of 57BPM, and a double-time of 228 BPM. Based on that, the speed of the song's tempo is moderate. The time signature for this track is 4/4.

The Creation, Hob.XXI,2: Pt. 2, On Mighty Pens Uplifted Key

This song is in the music key of D Minor. Because this track belongs in the D Minor key, the camelot key is 7A. So, the perfect camelot match for 7A would be either 7A or 6B. While, a low energy boost can consist of either 7B or 8A. For moderate energy boost, you would use 4A and a high energy boost can either be 9A or 2A. However, if you are looking for a low energy drop, finding a song with a camelot key of 6A would be a great choice. Where 10A would give you a moderate drop, and 5A or 12A would be a high energy drop. Lastly, 10B allows you to change the mood.

Recommendations

TrackArtistKeyEnergyCamelotBPM
Missa solemnis in D major, Op. 123: III. Credo: Crucifixus etiam pro nobis. Adagio espressivo by Ludwig van Beethoven, Jordi Savall, Le Concert Des NationsMissa solemnis in D major, Op. 123: III. Credo: Crucifixus etiam pro nobis. Adagio espressivoLudwig van Beethoven, Jordi Savall, Le Concert Des NationsD Major210B78 BPM
Requiem: Requiem: V. 4. Coro. Mors stupebit by Johann Christian Bach, RIAS Kammerchor, Akademie für Alte Musik Berlin, Hans-Christoph RademannRequiem: Requiem: V. 4. Coro. Mors stupebitJohann Christian Bach, RIAS Kammerchor, Akademie für Alte Musik Berlin, Hans-Christoph RademannF Minor24A113 BPM
Elijah, Op. 70, MWV A25 / Part 2: Elijah, Op. 70, MWV A25 / Part 2: "Behold, God the Lord passed by!"Felix Mendelssohn, Edinburgh Festival Chorus, Stephen Doughty, Orchestra of the Age of Enlightenment, Paul DanielC Major18B100 BPM
Requiem in B-Flat Major, MH 838: V. Rex tremendae by Michael Haydn, Saarbrucken Chamber Choir, Kammerphilharmonie Mannheim, Georg GrunRequiem in B-Flat Major, MH 838: V. Rex tremendaeMichael Haydn, Saarbrucken Chamber Choir, Kammerphilharmonie Mannheim, Georg GrunF♯ Minor011A69 BPM
Veni sancte spiritus, K. 47 : Presto by Capella Brugensis, Collegium Instrumentale Brugense, Patrick PeireVeni sancte spiritus, K. 47 : PrestoCapella Brugensis, Collegium Instrumentale Brugense, Patrick PeireG Major39B73 BPM
In furore iustissimae irae, RV 626: III. Tunc meus fletus by Antonio Vivaldi, Elly Ameling, English Chamber Orchestra, Vittorio Negri, Jeffrey TateIn furore iustissimae irae, RV 626: III. Tunc meus fletusAntonio Vivaldi, Elly Ameling, English Chamber Orchestra, Vittorio Negri, Jeffrey TateE♭ Major25B116 BPM
Cantata: Cantata: "All'ombra di sospetto", RV 678: 1. All' ombra di sospettoAntonio Vivaldi, Catherine Bott, New London Consort, Philip PickettF♯ Major12B139 BPM
Te Deum in C Major, WAB 45: II. Te ergo by Anton Bruckner, Magdaléna Hajóssyová, Rosemarie Lang, Peter-Jurgen Schmidt, Hermann Christian Polster, Rundfunkchor Berlin, Rundfunk Sinfonieorchester Berlin, Heinz RögnerTe Deum in C Major, WAB 45: II. Te ergoAnton Bruckner, Magdaléna Hajóssyová, Rosemarie Lang, Peter-Jurgen Schmidt, Hermann Christian Polster, Rundfunkchor Berlin, Rundfunk Sinfonieorchester Berlin, Heinz RögnerB♭ Minor03A72 BPM
Alcina, HWV 34 / Act 1: Tornami a vagheggiar by George Frideric Handel, Karina Gauvin, Il Complesso Barocco, Alan CurtisAlcina, HWV 34 / Act 1: Tornami a vagheggiarGeorge Frideric Handel, Karina Gauvin, Il Complesso Barocco, Alan CurtisC Minor15A61 BPM
Elijah, Op. 70, MWV A25 / Part 2: Elijah, Op. 70, MWV A25 / Part 2: "Go return upon thy way"Felix Mendelssohn, Edinburgh Festival Chorus, Bryn Terfel, Stephen Doughty, Orchestra of the Age of Enlightenment, Paul DanielB♭ Minor23A82 BPM
ISRC
GBEJP1513516
Label
L-M Records/RCA Records

Section: 0.6747283935546875

End: 0.6801309585571289