"Bendita sabedoria: II. Vas pretiosum" by Heitor Villa-Lobos, SWR Vokalensemble Stuttgart, Marcus Creed was released on February 1, 2011. With Bendita sabedoria: II. Vas pretiosum being less than two minutes long, at 1:08, we are fairly confident that this song is not explicit and is safe for all ages. Based on the duration of this song, this song duration is much smaller than the average song duration. This song is part of Villa-Lobos: Choral Works by Heitor Villa-Lobos, SWR Vokalensemble Stuttgart, Marcus Creed. The song's track number on the album is #16 out of 20 tracks. Based on our data, Germany was the country where this track was produced or recorded. Based on our statistics, Bendita sabedoria: II. Vas pretiosum's popularity is not that popular right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
Since Bendita sabedoria: II. Vas pretiosum by Heitor Villa-Lobos, SWR Vokalensemble Stuttgart, Marcus Creed has a tempo of 135 beats per a minute, the tempo markings of this song would be Allegro (fast, quick, and bright). With Bendita sabedoria: II. Vas pretiosum being at 135 BPM, the half-time would be 68 BPM with a double-time of 270 BPM.In addition, we consider the tempo speed to be pretty fast for this song. This makes this song perfect for activities such as, walking. The time signature for this track is 3/4.
This song is in the music key of E♭ Major. Or for those who are familiar with the camelot wheel, this song has a camelot key of 5B. So, the perfect camelot match for 5B would be either 5B or 6A. While, 6B can give you a low energy boost. For moderate energy boost, you would use 2B and a high energy boost can either be 7B or 12B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 5A or 4B will give you a low energy drop, 8B would be a moderate one, and 3B or 10B would be a high energy drop. Lastly, 2A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Dvořák: From the Bohemian Forest, Op. 68, B. 182: No. 5, Silent Woods | Antonín Dvořák, Jacqueline du Pré, Daniel Barenboim, Chicago Symphony Orchestra | D♭ Major | 1 | 3B | 95 BPM | ||
Nocturne, L. 82, CD 89 | Claude Debussy, Jean-Efflam Bavouzet | F Minor | 0 | 4A | 65 BPM | ||
Pictures at an Exhibition: Promenade. Moderato commodo assai e con delicatezza - attacca | Modest Mussorgsky, Ivo Pogorelich | D♭ Minor | 0 | 12A | 68 BPM | ||
Lieder ohne Worte, Op. 19: No. 6 Andante sostenuto "Venetianisches Gondellied" (Arr. Ottensamer for Clarinet and Strings) | Felix Mendelssohn, Andreas Ottensamer, Schumann Quartett, Gunars Upatnieks | G Minor | 0 | 6A | 84 BPM | ||
Deux Arabesques, L. 66: Arabesque No. 1 in E Major | Claude Debussy, Xavier De Maistre | F Minor | 0 | 4A | 97 BPM | ||
Sonata, Op. 61: II. Andante | Joaquín Turina, Jan Depreter | A Minor | 0 | 8A | 106 BPM | ||
Histoire du Tango: 2. Café 1930 | Astor Piazzolla, Jian Wang, Göran Söllscher | E Minor | 1 | 9A | 82 BPM | ||
Debussy: Syrinx, L. 129: Syrinx (Très modéré - Un peu mouvementé) | Claude Debussy, Emmanuel Pahud | A♭ Major | 0 | 4B | 65 BPM | ||
Andante No. 1, Op. 320 | Ferdinando Carulli, Flavio Cucchi | G Major | 0 | 9B | 99 BPM | ||
Cádiz | Isaac Albéniz, David Russell | C Major | 1 | 8B | 140 BPM |
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