"Piano Sonata No. 14 in C-Sharp Minor, Op. 27, No. 2 "Moonlight": I. Adagio Sostenuto - Excerpt" by Ludwig van Beethoven, Dubravka Tomšič was released on January 1, 2010. Piano Sonata No. 14 in C-Sharp Minor, Op. 27, No. 2 "Moonlight": I. Adagio Sostenuto - Excerpt is about six minutes long, preciously at 6:04, making this song fairly long compared to other songs. There is only one song in 50 Most Essential Beethoven, so we believe that "Piano Sonata No. 14 in C-Sharp Minor, Op. 27, No. 2 "Moonlight": I. Adagio Sostenuto - Excerpt" is a single. Piano Sonata No. 14 in C-Sharp Minor, Op. 27, No. 2 "Moonlight": I. Adagio Sostenuto - Excerpt is not that popular right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
The tempo marking of Piano Sonata No. 14 in C-Sharp Minor, Op. 27, No. 2 "Moonlight": I. Adagio Sostenuto - Excerpt by Ludwig van Beethoven, Dubravka Tomšič is Adagio (slowly with great expression), since this song has a tempo of 74 BPM. With that information, we can conclude that the song has a slow tempo. The time signature for this track is 4/4.
This song is in the music key of B Minor. This also means that this song has a camelot key of 10A. So, the perfect camelot match for 10A would be either 10A or 9B. While, a low energy boost can consist of either 10B or 11A. For moderate energy boost, you would use 7A and a high energy boost can either be 12A or 5A. However, if you are looking for a low energy drop, finding a song with a camelot key of 9A would be a great choice. Where 1A would give you a moderate drop, and 8A or 3A would be a high energy drop. Lastly, 1B allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Keyboard Suite in D Minor, HWV 437: III. Sarabande (Arr. for Chamber Orchestra) | George Frideric Handel, Raymond Leppard, English Chamber Orchestra | D Minor | 0 | 7A | 170 BPM | ||
Symphony No. 9 in D Minor, Op. 125, "Choral": IV. Finale: Presto - Allegro assai (excerpt) | Ludwig van Beethoven, Gabriele Lechner, Diane Elias, Michael Pabst, Robert Holzer, Zagreb Philharmonic Chorus, Zagreb Philharmonic Orchestra, Richard Edlinger | G Major | 2 | 9B | 131 BPM | ||
Buon giorno principessa | Nicola Piovani | A Major | 1 | 11B | 86 BPM | ||
Symphony No. 40, 1st movement (Piano) | Royal Symphony Orchestra | G Minor | 5 | 6A | 110 BPM | ||
Beethoven: Piano Sonata No. 14 in C-Sharp Minor, Op. 27 No. 2 "Moonlight": I. Adagio sostenuto | Ludwig van Beethoven, Nikolai Lugansky | E♭ Major | 1 | 5B | 98 BPM | ||
Thais: Meditation | Philharmonische Vereinigung Arte Sinfonica, Heribert Brandt | D Major | 1 | 10B | 86 BPM | ||
Bagatelle in A Minor, WoO 59 "Für Elise" - Live | Ludwig van Beethoven, Vladimir Ashkenazy | A Minor | 0 | 8A | 134 BPM | ||
Waldszenen, Op. 82: 3. Einsame Blumen | Robert Schumann, Mitsuko Uchida | B♭ Major | 0 | 6B | 69 BPM | ||
Albinoni: Adagio in G Minor | Tomaso Albinoni, Sir Neville Marriner, Academy of St. Martin in the Fields | C Minor | 1 | 5A | 90 BPM | ||
Offenbach: Les Contes d'Hoffmann, Act 4: No. 13, Barcarolle "Belle nuit, ô nuit d'amour" (Orchestral Version) | Jacques Offenbach, Studio 2 Symphony Orchestra, Vilem Tausky | D Major | 0 | 10B | 116 BPM |
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