"Suite - From "Agnes Of God"" by Georges Delerue was released on January 1, 2001. Since Suite - From "Agnes Of God" is still less than 10 minute long, it is still considered a pretty long duration song compared to the average song length. This song does not appear to be explicit due to the lack of the "E" tag. The track order of this song in Georges Delerue's "Great Composers: Georges Delerue" album is number 23 out of 24. Suite - From "Agnes Of God" is not that popular right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
We consider the tempo marking of Suite - From "Agnes Of God" by Georges Delerue to be Andante (at a walking pace) because the track has a tempo of 88 BPM, a half-time of 44BPM, and a double-time of 176 BPM. Based on that, the speed of the song's tempo is slow. Activities such as, yoga or pilates, can go well with this song. The time signature for this track is 4/4.
This song is in the music key of A Minor. Because this track belongs in the A Minor key, the camelot key is 8A. So, the perfect camelot match for 8A would be either 8A or 7B. While, a low energy boost can consist of either 8B or 9A. For moderate energy boost, you would use 5A and a high energy boost can either be 10A or 3A. However, if you are looking for a low energy drop, finding a song with a camelot key of 7A would be a great choice. Where 11A would give you a moderate drop, and 6A or 1A would be a high energy drop. Lastly, 11B allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Adagio en Sol mineur pour cordes et orgue | Tomaso Albinoni, Ensemble instrumental de France, Philip Bride | F♯ Minor | 1 | 11A | 166 BPM | ||
Agnus Dei pour choeur et l'Adagio du quatuor, Op. 11: "Agnus Dei" (Arr. for Cello and Strings Quintet) | Samuel Barber, Christian-Pierre La Marca, Alexis Kossenko, Les Ambassadeurs | B♭ Minor | 2 | 3A | 85 BPM | ||
Piazzolla / Orch. Ducros: Ave Maria, "Tanti anni prima" | Astor Piazzolla, Lucienne Renaudin Vary, Sascha Goetzel, Monte-Carlo Philharmonic Orchestra | C Major | 1 | 8B | 93 BPM | ||
Satie: 6 Gnossiennes: No. 1, Lent | Erik Satie, Aldo Ciccolini | F Minor | 0 | 4A | 92 BPM | ||
8 Slavonic Dances, Op. 72, B. 147: No. 2 in E Minor (Allegretto grazioso) | Antonín Dvořák, Budapest Festival Orchestra, Iván Fischer | B♭ Major | 1 | 6B | 60 BPM | ||
Hiroshima, mon amour - Pt. 3 | Giovanni Fusco, Georges Delerue | B♭ Major | 2 | 6B | 101 BPM | ||
La quintaine | Puy du Fou, Georges Delerue | E Major | 5 | 12B | 101 BPM | ||
3 Film Scores: No. 3. Face of Another: Waltz | Toru Takemitsu, Bournemouth Symphony Orchestra, Marin Alsop | A♭ Major | 1 | 4B | 112 BPM | ||
Rue des Fossés-Saint-Jacques | Georges Moustaki | C Minor | 1 | 5A | 100 BPM | ||
The Kid - From "The Kid" | Charlie Chaplin | A♭ Major | 3 | 4B | 84 BPM |
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