"Baïlèro" by Netania Davrath, orchestra conducted by Pierre de la Roche was released on February 14, 2012. Since Baïlèro is still less than 10 minute long, it is still considered a pretty long duration song compared to the average song length. This song does not appear to be explicit due to the lack of the "E" tag. The song is number 2 out of 24 in CANTELOUBE: Songs of the Auvergne by Netania Davrath. Going off of the ISRC code of this track, we detected that the origin of this track is from United States. Baïlèro is unknown right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
The tempo marking of Baïlèro by Netania Davrath, orchestra conducted by Pierre de la Roche is Larghetto (rather broadly), since this song has a tempo of 64 BPM. With that information, we can conclude that the song has a slow tempo. The time signature for this track is 3/4.
This song has a musical key of B♭ Major. This also means that this song has a camelot key of 6B. So, the perfect camelot match for 6B would be either 6B or 7A. While, 7B can give you a low energy boost. For moderate energy boost, you would use 3B and a high energy boost can either be 8B or 1B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 6A or 5B will give you a low energy drop, 9B would be a moderate one, and 4B or 11B would be a high energy drop. Lastly, 3A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Nisi Dominus (Psalm 126), R.608: 4. "Cum dederit" (Andante) | Antonio Vivaldi, Andreas Scholl, Australian Brandenburg Orchestra, Paul Dyer | D♭ Major | 0 | 3B | 75 BPM | ||
Stabat Mater: 1. Stabat Mater | Giovanni Battista Pergolesi, Barbara Bonney, Andreas Scholl, Les Talens Lyriques, Christophe Rousset | E Minor | 1 | 9A | 80 BPM | ||
BWV82: Aria: Ich habe genug | Johann Sebastian Bach, Lorraine Hunt Lieberson | D♭ Minor | 1 | 12A | 83 BPM | ||
Mass in B Minor, BWV 232: 14. Agnus Dei | Johann Sebastian Bach, Andreas Scholl, Philippe Herreweghe, Collegium Vocale Gent | B Minor | 2 | 10A | 63 BPM | ||
Rinaldo, HWV 7a / Act 2: "Lascia ch'io pianga" | George Frideric Handel, Elin Manahan Thomas, Orchestra of the Age of Enlightenment, Harry Christophers | E Major | 0 | 12B | 90 BPM | ||
L'Heure exquise | Reynaldo Hahn, Susan Graham | D♭ Major | 0 | 3B | 79 BPM | ||
Hahn: Chansons grises: No. 5, L'heure exquise | Reynaldo Hahn, Philippe Jaroussky | B Major | 0 | 1B | 83 BPM | ||
Egmont, complete incidental music, Op. 84: iii. Entracte 1: Andante | Beethoven, Maurice Abravanel, Utah Symphony Orchestra, Netania Davrath, Walther Reyer | E Minor | 2 | 9A | 82 BPM | ||
Ponchielli: La Gioconda, Op. 9, Act 4 Scene 2: "Suicidio! … In questi fieri momenti" (Gioconda) | Amilcare Ponchielli, Maria Callas, Orchestra Del Teatro Alla Scala, Milano, Antonino Votto, Orchestra Del Teatro Alla Scala Di Milan | F♯ Minor | 1 | 11A | 90 BPM | ||
Incidental Music for “Rosamunde, Fürsten von Cypern": v, Romance, Der vollmond strahlt | Schubert, Netania Davrath, Maurice Abravanel, Utah Symphony Orchestra | F Major | 2 | 7B | 113 BPM |
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