"A ton bras droit (Ps. 110, v.5)" by Paschal de l'Estocart, Dominique Visse, Ensemble Clément Janequin had its release date on September 5, 2000. The duration of This song is about two minutes long, specifically at 2:11. This song does not appear to have any foul language. A ton bras droit (Ps. 110, v.5)'s duration is considered a little bit shorter than the average duration of a typical track. The song is number 22 out of 27 in Chansons et psaumes de la réforme by Paschal de l'Estocart, Dominique Visse, Ensemble Clément Janequin. Going off of the ISRC code of this track, we detected that the origin of this track is from France. A ton bras droit (Ps. 110, v.5) is unknown right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
The tempo marking of A ton bras droit (Ps. 110, v.5) by Paschal de l'Estocart, Dominique Visse, Ensemble Clément Janequin is Adagio (slowly with great expression), since this song has a tempo of 72 BPM. With that information, we can conclude that the song has a slow tempo. The time signature for this track is 3/4.
This song has a musical key of F♯ Minor. This also means that this song has a camelot key of 11A. So, the perfect camelot match for 11A would be either 11A or 10B. While, a low energy boost can consist of either 11B or 12A. For moderate energy boost, you would use 8A and a high energy boost can either be 1A or 6A. However, if you are looking for a low energy drop, finding a song with a camelot key of 10A would be a great choice. Where 2A would give you a moderate drop, and 9A or 4A would be a high energy drop. Lastly, 2B allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Officium defunctorum: Invitatorium: Antifona: "Circumdederunt me" | Cristobal de Morales, Gabrieli, Paul McCreesh | F Major | 1 | 7B | 125 BPM | ||
Graduale: III. Non timebit | Cristobal de Morales, Musica Ficta, Raúl Mallavibarrena | C Minor | 2 | 5A | 83 BPM | ||
Differencias Sobre La Gallarda Milanesa | Antonio de Cabezón, Veronique Musson-Gonneaud | F Major | 1 | 7B | 87 BPM | ||
Octonaires de la vanité du monde, Livre 2: 15. Morte est la mort | Paschal de l'Estocart, Ensemble Clément Janequin, Dominique Visse | C Major | 1 | 8B | 177 BPM | ||
L'Euridice, prologo: Aria di Romanesca | Giulio Caccini, Scherzi Musicali, Nicolas Achten | G Minor | 0 | 6A | 79 BPM | ||
Selig sind die Toten, SWV 391 | Heinrich Schütz, Vox Luminis, Lionel Meunier, Bart Jacobs | F Major | 2 | 7B | 170 BPM | ||
La villanella | Vincenzo Capirola, Christopher Wilson | G Minor | 0 | 6A | 95 BPM | ||
Largire nunc mitissime | Jacob Obrecht, Cappella Mariana, Vojtěch Semerád | C Major | 2 | 8B | 95 BPM | ||
Les plaisirs: Gavotte pour les Suisses | Jean-Baptiste Lully, Mary Enid Haines, Sharla Nafziger, Aradia Ensemble, Kevin Mallon | A Major | 0 | 11B | 121 BPM | ||
Recercare: Racercare | Francesco Spinacino, Shirley Rumsey | B♭ Major | 0 | 6B | 141 BPM |