English Chamber Orchestra, Elisabeth Söderström's 'Variations on a Theme of Frank Bridge, Op. 10: VIII. Moto Perpetuo' came out on March 25, 2009. With Variations on a Theme of Frank Bridge, Op. 10: VIII. Moto Perpetuo being less than two minutes long, at 1:12, we are fairly confident that this song is not explicit and is safe for all ages. Based on the duration of this song, this song duration is much smaller than the average song duration. The song is number 18 out of 25 in Britten: Les Illuminations, Variations on a Theme of Frank Bridge, Simple Symphony by English Chamber Orchestra, Elisabeth Söderström. In terms of popularity, Variations on a Theme of Frank Bridge, Op. 10: VIII. Moto Perpetuo is currently unknown. Although the tone can be danceable to some, this track does projects more of a negative sound rather than a postive one.
The tempo marking of Variations on a Theme of Frank Bridge, Op. 10: VIII. Moto Perpetuo by English Chamber Orchestra, Elisabeth Söderström is Andante (at a walking pace), since this song has a tempo of 97 BPM. With that information, we can conclude that the song has a slow tempo. The time signature for this track is 4/4.
A Minor is the music key of this track. Because this track belongs in the A Minor key, the camelot key is 8A. So, the perfect camelot match for 8A would be either 8A or 7B. While, a low energy boost can consist of either 8B or 9A. For moderate energy boost, you would use 5A and a high energy boost can either be 10A or 3A. However, if you are looking for a low energy drop, finding a song with a camelot key of 7A would be a great choice. Where 11A would give you a moderate drop, and 6A or 1A would be a high energy drop. Lastly, 11B allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Notturno for Strings and Harp | Arnold Schoenberg, Daniel Hope, Zürcher Kammerorchester, Jane Berthe | A♭ Major | 1 | 4B | 75 BPM | ||
Fauré: Pavane, Op. 50 | Gabriel Fauré, Sir Neville Marriner, Academy of St. Martin in the Fields | F♯ Minor | 1 | 11A | 70 BPM | ||
Violin Concerto in D Minor, Op. 15: I. Moderato con moto | Benjamin Britten, Lorraine McAslan, English Chamber Orchestra, Steuart Bedford | D Major | 2 | 10B | 101 BPM | ||
Saint-Saëns: Cello Concerto No. 1 in A Minor, Op. 33: I. Allegro non troppo | Camille Saint-Saëns, André Navarra, Charles Münch, Orchestre des Concerts Lamoureux | F Major | 2 | 7B | 122 BPM | ||
Romance for String Orchestra, Op.11 | Gerald Finzi, Academy of St. Martin in the Fields, Sir Neville Marriner | A♭ Major | 1 | 4B | 80 BPM | ||
L'Arlésienne Suite No. 2: Menuet | Georges Bizet, Orchestre Symphonique de Montréal, Charles Dutoit | E♭ Major | 0 | 5B | 128 BPM | ||
L'elisir d'amore / Act 1: "Quanto è bella" | Gaetano Donizetti, Luciano Pavarotti, Maria Casula, Ambrosian Opera Chorus, English Chamber Orchestra, Richard Bonynge | C Major | 2 | 8B | 80 BPM | ||
Carmen, Opera Suite No. 1: III. Intermezzo, Act 3 | London Festival Orchestra Alfred Scholz | E♭ Major | 0 | 5B | 134 BPM | ||
Kinderszenen, Op. 15: No. 7 in F Major, Träumerei | Robert Schumann, Ivan Moravec | F Major | 0 | 7B | 130 BPM | ||
Vivaldi: The Four Seasons, Violin Concerto in F Major, Op. 8 No. 3, RV 293 "Autumn": I. Allegro | Antonio Vivaldi, Nigel Kennedy, English Chamber Orchestra | F Major | 1 | 7B | 112 BPM |
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